Overweening Generalist

Showing posts with label nonexistent books. Show all posts
Showing posts with label nonexistent books. Show all posts

Monday, February 9, 2015

Robert Anton Wilson: Missing Books

I've just finished reading Patton Oswalt's book Silver Screen Fiend:Learning About Life From An Addiction To Film (2015) and it was of course very hilarious and entertaining: it's Patton Freaking Oswalt. But I had had no idea he'd haunted the New Beverly Cinema as I had. LA's greatest revival house for film, it had and has a cult following of film freaks and the book is dedicated to Sherman Torgan, who ran the place while Oswalt saw gawd only knows: probably 400 films there over a four year period, 1995-1999. The Appendix (pp.189-222) lists all the films, so I guess I could count but I'm too lazy... Yea: Patton Oswalt saw hundreds of films in movie theaters in those four years, he lists them all: date/film(s)/venue, and it's a lot like my own lists, only his manic phase of crashing the canons of film seemed deeper and more intense than mine. Torgan's programming easily convinced me he knew what films were worth seeing. I knew that if the New Bev was showing it it was probably worth seeing, it didn't matter if I hadn't heard of the film, or if it was from a genre I don't strongly gravitate toward (musicals and gorefest, anything with Doris Day in it). There's a hilarious chapter where he details the unhinged drive to see 12 Hammer Horror films in two days, and eventually, from sleep deprivation and insane film gluttony, the Hammer films begin to run together in his mind with other classic Hollywood films he'd seen recently...he's having a bad hallucination trip while awake, hilariously described, like something out of Alexander Trocchi, while in the theatre supposedly watching another film. A fellow film weirdo asks him if he's okay. Yea. (Noooo.)

I think I started driving from San Pedro up the Harbor Freeway (to the 10) to that predominately orthodox Jewish neighborhood of LA (near the corner of La Brea and Beverly Blvd) around 1996. I drove that stretch a lot. From one corner of the metropolis to another. I think I was aware of Oswalt as a stand-up comedian, and I may have seen him there, but I saw a lot of familiar screen faces there. I remember one night I took a seat in the dark moments before a double feature of Jeunet et Caro: Delicatessen (one of my all-time favorite films), and City of Lost Children. When the delicatessen owner asks "Have I got something right here?" the crowd erupts in laughter (as it should: one of the great anarchic comic moments in cinema history), and I look over at a guy cracking up and note I'm sitting next to Doogie Howser's, best-friend Max Casella.

I remember dragging my wife to see a John Frankenheimer double feature, because Seconds was the second film. Seconds totally slays me. Always. It was a Friday night - date night, when young, well-educated hipsters invaded the New Bev, usually to see the first film, then leave for - their actual lives. They all saw the admittedly great and famous 1962 Manchurian Candidate then left, despite my leaning into the aisle and telling twentysomething strangers filing out: "If you thought that was good, wait till you see Seconds," and no one would even make eye contact with the Scary Old Guy.

                                       a bit from Seconds (1966): Rock Hudson rocks!

Anyway...After Sherman Torgan's death (and Quentin Tarantino publicly standing up for film freaks all over LA by saying "As long as I draw breath, the New Beverly will remain open"), Oswalt attends a "sloppy, spontaneously organized 'wake'" inside the not-too-far-away Egyptian Theatre. (Everyone agreed it wouldn't be right to do it inside the New Bev). Oswalt tells the anecdote about the night Lawrence Tierney walked into the middle of Citizen Kane and sat behind Oswalt and started talking out loud to the screen for about 15 minutes before his handler finds him and ushers him out. Tierney had never seen the film, but the stuff he says, like the best DVD commentary ever - as remembered by Oswalt, coupled with what we know about Tierney's history and that voice - a shimmering anecdote in a book filled with them. (see pp.94-98) (I wonder how many RAWphiles that know of Tierney and his work think of him as a classic 2nd Circuit type as I do.)

After the wake, Oswalt programmed an entire month of fantastic, non-existent films for the New Beverly in Heaven, just for Sherman. Oswalt writes that he got the idea from Neil Gaiman's storyline in  The Sandman books, of "Brief Lives," where there's a "dream library" of books that famous authors never got around to writing, like Raymond Chandler's Love Can Be Murder, or Lewis Carroll's Alice's Adventures on the Moon. I for one would drop everything going on in my life to go see every one of these dream films, which includes Orson Welles's 1942 Heart of Darkness and Orson's 1944 Batman: Riddle of the Ghoul, starring Gary Cooper as Bruce Wayne/Batman. "And leave it to Welles to populate his movie with six of Batman's cast of villains: Lee Marvin as Two-Face, Edward G. Robinson as the Penguin, Ella Raines as Catwoman, Dwight Frye as the Riddler, Everett Sloane as the Scarecrow and, towering imperiously over the whole mad feast, Welles himself as Ra's al Ghul. The Richard Widmark cameo, at the end, as the newly scarred Joker, leaping toward the screen from the smoking ruins of the chemical plant, still makes people scream. The costumes that longtime fans wear to midnight showings only add to the chiaroscuro carnival." (p.174) I see the great RKO noir Director of Photography, Nicholas Musuraca, doing the lights and camera here, with Orson, of course.

Oh yea: how perfect is this?: In some alternate universe/Torgan's Heaven that Hal Ashby directed A Confederacy of Dunces? John Belushi played Ignatius in a miraculous performance without ever having read John Kennedy Toole's novel. With Richard Pryor and Lily Tomlin. Oswalt goes on with this, an invention of 29 films. Hey! I just noticed the blogpost that forms this chapter of "dream films" is HERE! (<----In the blog there, you only get the names of the nonexistent films; you have to get hold of Oswalt's book to read the synopses.)
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Reading this bit from Patton Oswalt's film addiction book reminded me of the Books Missing From Robert Anton Wilson's Oeuvre. Many of us have discussed what RAW's Tale of the Tribe would have been, but he died before he could write it. We got a precis, tantalizing to the utmost, at the end of TSOG: The Thing That Ate The Constitution, pp.203-213. If we could pool the no-doubt thousands of pages of notes from RAWphiles on what RAW was hinting at, we might be able to cobble something together. But it wouldn't be RAW.

Now please bear with me: I've gotten hold of some...well...let''s just say I've gotten lucky and was able to obtain a hot underground tryptamine drug made by the Disciples Of Shulgin (DOS). Psychonauts have been reporting that at the half gram dosage level, they've had very pleasant glimpses of other possible worlds, but only those worlds the person had been daydreaming or thinking about in their ordinary, non-stoned lives. I took some after thinking of RAW's books and, for whatever it's worth, here's what I've come back with:

The Shea Correspondence Course: Letters Between Robert Anton Wilson and Robert Shea (2017): RAW finally collected the vast trove of letters received from his friend Robert Shea, and via excessive volunteer wrangling by RAWphiles, found well over 40 long type-written letters he'd sent to Shea. All of the letters from both men had been dispersed, scattered among numerous friends and collectors of literary ephemera. Interviewed by NPR about the 423 page tome, RAW says from his home in Capitola that he was surprised how much he'd forgotten about how Illuminatus! eventually coalesced, but was grateful such a large number of the letters had shown up after an Internet call-to-arms from his fanatic readers. NPR seemed most interested in the fervor of glee among the cultish readers of Wilson over the publication, long awaited and thought at one time impossible. Why the word "course" in the title, NPR asks? Wilson said his friend Robert Shea was the sort of person whose anarchic intelligence always made him think, and re-reading their letters before publication he realized how much he'd learned. Shea died in 1994. Reviewed at BoingBoing: "I've never seen a correspondence that was so funny and at the same time brimming with endless ideas. Even when they seem to have a simmering feud over some idea or another, you can always tell they loved each other."

Hollywood Notes (2012?): The long-awaited chronicles of RAW's first-hand experiences seeing his books Masks of the Illuminati, The Walls Came Tumbling Down, and the midnight movie Reality Is What You Can Get Away With made into films and the sausage-factory behind the scenes. RAW agrees with Raymond Chandler, Nathanael West and F. Scott Fitzgerald: if they want to pay you for the rights, best to just take the money and leave Hollywood. But RAW's too interested in the machinations of filmmaking and while he has grave problems with the liberties directors, editors and script "doctors" took with his material, he seems pleased by the results, all in all. My favorite part of the book is RAW's anecdotes about the film community party scenes in the hills above Hollywood.

Heretic: How Timothy Leary Foresaw the "New Teleology"(2025): This short tome is a surprise hit with academics who had been trying to forge the "New Synthesis" sometimes called the "New Teleology," since the rise in prominence of Sheldrake, epigenetics, CRISPR techniques that helped to rapidly cure most diseases and food shortages. Other texts had emphasized the rapid falling out of favor of "selfish gene" ideas as the main motors of evolution. RAW traces the history of self-organizing life to cosmic panspermia notions and the long list of scientific "heretics" who emphasized latent "systems" inherent in the human nervous system. This book argues that Leary's ideas about the brain and evolution were far ahead of his time (Leary died in 1996), that Neo-Darwinism was always a big chunk of the puzzle, but that scientific visionaries - once marginalized as "crackpots" or "mystics" such as Bruno, Reich, Lamarck, Sheldrake and Leary - are now seen, retrospectively, as victims of a sort of mass hubris and "Mind-Forged Manacles" of working prole scientists/old paradigm adherents (RAW loves to quote the poet Blake). It was said that the philosopher Thomas Nagel was a fan of this book, but this can not be substantiated at the moment you're reading this. At 225 pages and good humor, this one's on many a college syllabus and wins RAW a National Book Award for Non-Fiction.

New Age Sewage (2016): RAW seems to be channeling George Carlin here in his non-fiction satire on anti-vaxxers, Randroids, supply-siders (these last two not New Age per se, merely bad ideas), New Earthers, "race-ists," orthorexics, those fearful of taboo words, and fundamentalists of all sorts. Perhaps surprisingly, the book receives very good reviews from those Skeptics that RAW lampooned in many works. RAW at his most polemical, this book is at least the equal in tone and logical vigor as The New Inquisition and Natural Law.

Life Plus 3000 (2030): RAW's immortality book, which in the Preface he says he'd radically revised at minimum 32 times because of the "Jumping Jesus Phenomenon." A very old version had a working title Death Shall Have No Dominion. I found it most impressive that RAW doesn't gloat here: he'd been writing about longevity and immortality since the 1970s and was scoffed at by New York intellectuals. When the worm began to turn most decisively around 2023 he decided to wrap it up. Now he's been proven "correct" for the most part, but rather than name his fairly "wrong" (and mostly forgotten) detractors, he seems more in awe of Nature than ever.

Collected Writings on Joyce (2014): Joyce scholar Fritz Senn was the impetus behind this. He thought young European readers needed an introduction to Joyce by an intellectual non-academic Joycean. I had no idea RAW had written this much, in such detail, on Joyce. Lovers of RAW's book Coincidance will want to graduate to this text, many of the ideas of which were once too "far out" but have now made it inside mainstream Joyce scholarship.

Robert Anton Wilson's Book of Black Magic and Curses (2007): A rollicking book of humor about domesticated primate hypnosis and words, psychoneuroimmunology, the omnipresence of metaphor, a vindication of Vico and Korzybski, and "How To Tell Your Friends From the Other Apes." One reviewer blurbs on the back cover: "A linguistics book sui generis if I ever saw one. Highly recommended." RAW scholars can now see what Playboy's Book of Forbidden Words was supposed to be, before the editors took out all the most interesting parts. Or, as RAW put it, "The editors at Playboy Press, like most editors, want to pee in the soup before they let go of someone else's work."

Bride of Illuminatus! (2019) Long-awaited. Carries his (and Shea's) saga of certain families and ideas through the Age of Surveillance. The plotlines developed with Edward Snowden vs. Dick Cheney (under disguised names, for this is one long True Shaggy Dog Story) makes this Trip worth reading over and over.

Babylon L-5 (2021) One of the best of the sixty-some-odd books preparing humanity for space colonization. Said to have cheered Elon Musk, who, after reading it, redoubled his efforts to get LaGrange point communities going for industrial production in zero-gravity, followed by his (and others') move to make Project Exurb a reality. Meanwhile, space travel impact on human physiological systems are being solved almost weekly. RAW keeps up on this stuff.

Untitled Epic Poem on Evolution: So far: no publisher. He's said to still be working on it, although over 100 chapters exist in the version that passed through my hands. Seemingly influenced by both Pound's Cantos and Joyce's Finnegans Wake as well as the wildest, most outre ideas about baby universes, brane theory, black holes, and self-organizing Taoist cybernetic feedback loops within loops, the loose-leaf copy I had was over 1700 pages of "holographic poetry" and seemed to fuse in equal measure hardcore-scientific, poetic and mystical ideas. The work functions as an encyclopedia of history and hard science, while reading as poetry. One strain of poetic rumination, about a divine feminine and repressed aspect of history, coupled with - believe it or not - the history of economics (!) makes a bracing case for universal liberation and "true freedom" for all "sentient beings" and a freedom from fear, want, and State and other Gangster coercion, based on communication, humor and massive cybernetic feedback loops of information so dense...well, I just want you all to be able to get hold of a copy some day, as this is a true Terran Archive and "Blueprint For Humanity" (<-----the name of one of the poems.) There were references and allusions enough to support the argument that this might truly constitute RAW's Tale of the Tribe. Difficult and psychedelic. Readers new to Wilson are advised to study his works from 1959-2005 first. Another helpful idea, until the work is finished and published: RAW includes an annotated bibliography that in itself was over 200 pages and quite cosmically hilarious, I thought.

That's all I can remember until I take that particular tryptamine again. If any of you have similar access and find something out about RAW's nonexistent-in-this-world oeuvre, please report back here in the comments!

                                           graphic art by Bob Campbell

Thursday, October 17, 2013

The Demonic Powers of (Some) Books: A Take or Three

A while back one of my intellectual colleagues urged me to read Fritz Leiber's novel Our Lady of Darkness, and if you haven't read it yet, it's October and the perfect time to get down to the library and read this thing. It's even better if you live near San Francisco, as it's set there. Leiber, influenced by Lovecraft and Clark Ashton Smith and Montague Rhodes James, uses some Jungian riffs and gets off a tremendous work I couldn't put down. It's weird, realistic, creepy, and destabilizing, somwhat artsy in style and yet a page-turner. Because I'm all out of breath I'll just say Yo This Is An Amazing Book. It's perfect for Halloween-times. (As I link the title to Amazon- I take no money from them - I noted the reviews were less than 4.5 stars...which is simply absurd, trust me on this.)

Have you ever been in a Big City and felt like It had something to say? As if there were signs all around, but you didn't quite have the key to read the language?

Leiber posits a secret art of reading Cities, and predicting and manipulating the future, via Megapolisomancy, and a dark character named Thibault De Castries literally wrote the book on this art. Everything that makes up the metropolis: steel, wire, and cement; paper, rubber and bricks...has always had effects on humans throughout history. The effects are physiological, psychological, and, perhaps most importantly: hyper-psychological. I'd say "parapsychological" but this could be misconstrued. It's creepier than that. Castries also wrote The Grand Cipher, but I don't want to say too much here. Ever since I finished Leiber, my forays in the City - always an expedition in psychogeography - have never felt the same. It's those damned...elementals emanating from the stuff the City is made from. But I won't go into it. Save for the utterly demonic aspect of Leiber's novel.

                                                      Fritz Leiber

"Demonic"? Aye, but not in the American evangelical's sense. The word's had a peculiar evolution. Everyone who's studied any philosophy knows that Socrates attributed whatever he "knew" to his daemon: a voice that spoke to him. This demonic voice was associated with Divine Knowledge. And I remember reading how Goethe was so blown away by JS Bach he said Bach was demonic.

In late 18th-19th century Europe, highly influenced by Hamann and Herder, Goethe saw uncanny creative genius as "demonic." Goethe seems fairly demonic his own self, but that reminds me of one of his books, The Sorrows of Young Werther. It made the demonic Goethe a huge celebrity writer-star at age 24, and was based on autobiographical elements that Goethe later regretted sharing with the world: a very romantic young man's unrequited love leads him to suicide. And the book was responsible for "copycat" suicides in real life. Is it Goethe's fault? The book's fault? The culture's fault?

I used to say it's a combination of all three, but mostly the culture. Now I prefer to attribute the suicides to the book more than the culture or Goethe. I have my reasons. It seems to me the demonic in the 19th century sense is probably at large in every culture, almost everywhen. And while the demonic powers reside in Goethe's nervous system, those books, when disseminated throughout Germany and then the rest of Europe, went out of Goethe's hands. If the culture's "right" then you get readers who succumb to something irrational they see in the book. But the Book actuated the suicides. Goethe's writing resonated so strongly with young people who saw in themselves aspects of the fictional character. And killed themselves.

Other books are linked to killers. Demonic?



A confession: Here's where I realize I'm a bit...off: I'm bibliomane enough to admit to a Walter Mitty thrill that books can have such powers over humans.

Stephen King voluntarily pulled his novel Rage, a work he started while in high school, because it might prove as an "accelerant" to school gun violence, already notorious in Unistat. I can see his point. Already it looks like maybe there was a copycat killing. And yet: is it a publicity stunt? Something to garner a heavier demand for the novel? Am I being cynical? King says guns aren't the problem in Unistat; it's the Kardashianization of culture that's the problem, and King himself owns guns and is a big 2nd Amendment guy.

Now hold on, wait a minute: if I assert the absurdity of blaming Marilyn Manson for the Columbine killers, or Judas Priest or Ozzy Osbourne for other self-inflicted deaths of Unistatian teens, why do I support the book medium over those musical texts? Good Question. Here's how I've negotiated it: in reading interviews and seeing the rock stars talk about their work - and I'm thoroughly acquainted with their music, by the way - I believe the musicians when they say they're writing that music for the joy and fun of it, and Ozzy liked to argue Who believes Vincent Price was an actor who meant harm for his audience?

The writer of a book is working with the nature of the book, the reading of which is almost exclusively solitary, and silent. Reading a novel makes demands on the nervous system that are unique to the act of reading and certainly different than the apprehension of auditory musical texts. But it's the intent and subjectivity of the Author which, combined with the phenomenology and physiology of reading books that makes some of them...demonic.



It seems only fair to ask of the author of a book that might possibly cause untoward (or desirable) effects on its readers to warn them in some way, but the very nature of fiction and unheimlich aspects of  the demonic...seems to violate the rules of the game. However, a warning or notice is done from time to time. The fair warning. For example, in a series of putatively "non-fiction" postscripts to a 700+-page surrealistic novel, Robert Anton Wilson tells his readers:

This book, being part of the only serious conspiracy it describes [...] has programmed the reader in ways that he or she will not understand for a period of months (or perhaps years) [...] Officials at Harvard thought Dr. Timothy Leary was joking when he warned that students should not be allowed to indiscriminately remove dangerous, habit-forming books from the library unless each student proves a definite need for each volume.
-Illuminatus! Trilogy, p.774, omnibus ed.

Who among us can withhold admiration for the author who, in such an overwhelmingly vivid fashion of embedding a non-existent text within the actual text, influences later generations to actually produce a "real" version of the once-embedded imaginary book? One might think immediately of the Necronomicon. But this has been going on for some time. Here's Frances King:

Someone has only to announce the existence of a mysterious book, or an even more mysterious occult fraternity, and there will always be those who are prepared to produce the required article or organization - usually for a suitably large fee. For example, no one had heard of any alchemical writings of the early English St. Dunstan until the Elizabethan magician Edward Kelly stated that he had found a strange red powder of projection and The Book of St. Dunstan, describing how to use this same red powder for the purpose of transmuting base metals into gold, in the ruins of Glastonbury Abbey. Nevertheless, within fifty years of Kelly first making his claim to this discovery no less than half a dozen alchemical tracts had been printed, all of them differing one from another, and each claiming to be the sole authentic Book of St. Dunstan.
-Sexuality, Magic and Perversion, pp.5-6

But these wild, inspired imaginings that go viral: they act as palimpsests, they infuse and infect and imbue the gesticulations and ideation of far-flung gens, dead ignorant of their originations. Fer crissake: look at the abominable life of The Protocols of the Learned Elders of Zion. Now the Priory of Sion has momentum. The Gemstone and The Octopus will fuel conspiracy thinking for a long while yet. These works might be thought of as "non-fiction," but they seem somehow like hyperfiction to me. They are demonic, but not in Goethe's sense. And there are too many to name.

The prolific historian Philip Jenkins traced the origin of satanic panics in 1980s Unistat to a 1926 novel written by Herbert S. Gorman titled The Place Called Dagon. Lovecraft himself was influenced by this novel. What's sorta odd (a digression!) to me: Gorman was the first biographer of James Joyce, his 1924 book receiving much help from Joyce himself, and now thought to be a wonderful source for how Joyce wanted to have been perceived. Gorman was a busy writer and he could have no inkling that, 55 years later, a strain of high-strung xtian PTA types would read his novel and get ideas. So to wrap up this digression: we have a bizarre synchro-mesh of a newspaper reporter and novelist, Lovecraft, Joyce, and the McMartin preschool debacle, among others...

Demonic?



Peter Lamborn Wilson: "The world of apocrypha is a world of books made real, which may well be understood and appreciated by readers of Borges, Calvino, Lewis Carroll - or certain sufis. The apocryphal imagination turns 'Tibet' or 'Egypt' into an amulet or mantram with which to unlock an 'other world', most real in dreams and books and dreams of books, visions induced by holy fasting or noxious alchemic fumes."
-Sacred Drift: Essays on the Margins of Islam, p.22

More PLW: "According to the Manicheans, books might be Angels, living personifications of the Word from On High - or from elsewhere, from another reality. There exist angelic alphabets. The British magus and alchemist, John Dee, received angelic transmissions in the Enochian alphabet, and Jewish magicians used angelic letters in their amulets and Kabbalistic meditations."
-The Little Book of Angels, p.6

A final thought from PLW: "The crude truth is perhaps that texts can only change reality when they inspire readers to see and act, rather than merely see. [...] Just as there exist books which have inspired earthshaking crimes we would like to broadcast texts which cause hearers to seize (or at least make a grab for) the happiness God denies us. Exhortations to hijack reality. But even more we would like to purge our lives of everything which obstructs or delays us from setting out - not to sell guns or slaves in Abyssinia - not to be either robbers or cops - not to escape the world or to rule it but to open ourselves to difference. I share with the most reactionary moralists the presumption that art can really affect reality in this way, and I despise the liberals who say all art should be permitted because - after all - it's only art."
-Immediatism, Essays by Hakim Bey, pp.57-58

Maybe I ought remember my William James and think about the predispositions of readers who might "allow" a book to take hold of them, influencing but not causing them to act in a way a contemporary evangelist would deem "demonic." It would seem James's "tender-minded" might be more prone to the lure of such books than his "tough-minded." Maybe Erik Davis is right when he writes of Lovecraft's doomed protagonists, bookish types (like some people we know?) whose "intellectual curiosity drives them to pore through forbidden books or local folklore."

"district attorneys hunt for books so evil they are not protected by the First Amendment..." - RAW, p.8, Everything Is Under Control

Okay, for today I'm ready to call this a wash, and suffice to say that only some books are demonic, as are some authors (only they might not know it); culture has some skin in this demonic game, and I'm not sure how much. Writing has always been associated with magic, danger, the demonic. Let us try not to forget it...

                                                       Thoth, who seems to have 
                                                       started this whole damned
                                                           thing.


Friday, September 13, 2013

Pynchon's Bleeding Edge: Antici...pation

Being of perennial impecunious means, I managed to land myself way up on the library lotto: I'm number 10 in line when Bleeding Edge comes in, and they're ordering a mess of copies. It won't be renewable, so I'll have to hunker down and read the entire thing in three weeks. I think I'm up for it, tanned, rested and ready...

Another of my dispersed Tribe alerted me to the Gothamist printing the first page. Because of the inherent mindfuckery surrounding Pynchon (he was once rumored to be The Unabomber, if he wasn't really J.D. Salinger or "Wanda Tinasky"), I suspected a possible hoax, but when the sentence "At the corner by long-implanted reflex she drifts into a pick..." I knew this was legit. "Drifts into a pick" matched my impression of Pynch's uncanny style/mind. Gawd, I can't wait.

In Conversations With Tom Robbins Robbins says that the FBI interviewed him after his book Still Life With Woodpecker came out, 'cuz the main character seemed like The Unabomber to them. (If you've read the book: Bernard Mickey Wrangle, AKA The Woodpecker, man!, see p.103) Robbins, on Pynchon's Mason and Dixon: "[It] knocked my socks off and I was barefoot at the time. Basically, it's an account of the professional problems of a couple of eighteenth-century surveyors. Yet Pynchon turns it into something thrilling and glorious by dint of his language and countless acts of his dare-deviltry. Mark Twain said the difference between a perfect word and a word that's merely adequate is the difference between lightning and a lightning bug. Pynchon generates one lightning flash after another." (see p.112)

Hey: now we find out another American genius novelist who has also written info-dense, 800-plus-paged works was under suspicion by the FBI as The Unabomber: William T. Vollmann, who I have yet to read. See his "Life as a Terrorist: Uncovering My FBI File." Sorry about the steenking paywall, but maybe that's enough. HERE's the LA Times on Vollmann's story. The FBI harassment of Vollmann is something I find extremely disturbing and deserves to be more widely reported. I also suspect Vollmann readers (one of the books at that Amazon link is over 1000 pages long, others 800, 600...) are a rarified class, and Vollmann's story in this, The Snowden Era, is yet another hint that we are approaching something between "Disneyland With The Death Penalty" Singapore (<---that line from William Gibson), and the old East Germany under the Stasi. Do structures such as we've found ever reverse towards something...saner? Give me one historical example.

Now I'll get darkly glib: I really don't think Vollmann is the sort of writer who'd go for this idea, but maybe the edgy, talented and still under-reviewed author should try falsifying some FBI documents that show that (s) he too was under suspicion by the FBI for some sort of Interesting Crime. Write a press release, call for a conference, announce your next book is about the deep structure of authors/publishers and publicity in the Information Age, and make sure you have all kinds of things to say about J.T. LeRoy and James Frey, Lee Israel, Mike Daisey, and AD Harvey and his series of fake academic identities and how he got many "experts" to believe his bogus claim that Dickens had met Dostoevsky. Talk about how, rather than being "outraged" we ought to consider The Trickster, human longing for public notice, and our accelerating susceptibility and vulnerability to the Hoax. There are relatively benign hoaxes, and there should be a reconsideration of their epistemic role in an age of not only information, but of rapid, no-end-in-sight income inequality, and furthermore there are plenty of very smart people who could not or would not make it in the Corporate State, and...well, you can see where I was going with this.

In The Essays of Leonard Michaels he writes of Spinoza, Shakespeare, Montaigne and Miles Davis as examples of artists-writers who want to "absent" themselves from their work, but their name is blaring due to this very fact. The totality of style and presentation, even without their signatures, seems like their face or fingerprints. How and why Michaels includes Montaigne there is beyond the scope of this blog, so you may have to check for yourself. (Sorry!) Thumbnail: these few artists seem to want to let the work speak for itself, without the built-up detritus of trivia and the gossipy-soul of People magazine. Or fer crissakes: TMZ. How disembodied Spinoza's mind seems when you read him. How radically multi-vocal Shakespeare appears. Miles famously played with his back to the audience. Etc. See Michaels, pp.176-178

A Salinger biopic is upon us; a few months ago Salon listed a Pynchon biopic as highly desirable, and I agree...but who - among those who really read Pynchon - would believe any of it? Do you mine his old friend Jules Siegel and flesh out the thesis that Pynch, like Kaczynski, was a product of an out-of-control CIA LSD experiment to sideline the counterculture in yellow matter custard, dripping from a dead dog's eye, while incense and peppermints scream across the sky? And then: the guilt over working side-by-side with Project Paperclip Nazi scientists at Boeing on ICBMs? The idealism he shared with Richard Farina thoroughly squashed, Pynchon retires to a shed deep in the redwoods overlooking the Pacific, smoking high-powered weed for two solid years, making notes, singing folk songs at small gatherings, having books sent in by odd couriers like something out of Tristero, flashbacks to his time in Manhattan Beach and Mexico. I see a Unabomber-like cabin deep amidst the ancient coastal redwoods in Humboldt County, with a table, a poster of Porky Pig, makeshift shelves with a few hundred books on them, including Helen Waddell's The Wandering Scholars of the Middle Ages and Kirkpatrick Sale's books and William Gaddis's The Recognitions identifiable for the freaks like us. Lots of notebook paper taped up on the walls with illegible notes, a page torn from the too-popular A Beautiful Mind. Another wall is covered with a gigantic map of the Louisiana Purchase, and the known routes of Lewis and Clark. An Olivetti on a table with a big bag of weed and a coffee maker. A voice-over of a phone call from a truck stop with Pynchon's voice as we heard it on The Simpsons "Yea the FBI was out here asking me some questions about my feelings about technology. The what? Did you say 'you're the bomber?' We have noise in the system here, they're probably tapping this. What unabomber? Who? Jeez, I need to read a newspaper I guess...(laffs) You mean you think they think maybe I'm blowing up park rangers? Doesn't anyone in the Bureau know how to read?(click)"

Get Oliver Stone to direct, what the fuck. I'm not saying a fascinating movie could not be made of such things, I'm just saying no one would believe it.

If Pynchon's Dys came out I'd probably even read that. Also see Michael Chabon's Maps and Legends, in which a Pynchon novel titled Blitz Nurse is cited.



And I'm still on the fence about the Candida Donadio story, because the name seems too Pynchonesque. Yea, yea, I know: how could "she" put one over on NYT, plus Heller, Roth, Gaddis, Stone and Puzo and all those other writers had to have been in on it. Yea, yea: I've heard it all. I'm still not buying 100%.

Books and Articles Consulted:
On fugitive writings by Pynchon
William Pynchon
Angela Bishop Asks Paul Thomas Anderson A Really Stupid Question
Rodney Gibbs's essay on Pynchon's and Sale's musical Luddite satire Minstral Island
Schrodinger's Cat Trilogy, pp.364-365; 427
Pynchon likes The Daily Show
Pinch Thomas, major league baseball player from the Deadball Era
Chaos and Cyberculture, pp. 172-176
1996 TV interview: Kirkpatrick Sale on the Luddites
Proverbs for Paranoids:
1. You may never get to touch the Master, but you can tickle his creatures.
2. The innocence of the creatures is in inverse proportion to the immorality of the Master.
3. If they can get you asking the wrong questions, they don't have to worry about answers.
4. You hide, they seek.
5. Paranoids are not paranoid because they're paranoid, but because they keep putting themselves, fucking idiots, deliberately into paranoid situations.
-- Collected from Gravity's Rainbow, V237, 241, 251, 262, & 292

Friday, August 9, 2013

Books: Passing Remarks On Select Titles, Fictional, Non-Fictional and Nonexistent

Not long ago I was nosing through Sally Wade's The George Carlin Letters. She was Carlin's love the last years of his life. Before they got together she was in Dalton's bookstore in Santa Monica and overheard his distinct voice: "I'll take Our Culture and What's Left of It, The Anatomy of Dirty Words, and Rationale of the Dirty Joke...if you can get 'em to me by Friday," he says to the clerk who's helping him, "I'll give ya a tip to buy yourself some weed." These titles may sound like they were made up in the mouth of Carlin, but as you can see by the links (which I do not profit monetarily by citing here; I'm merely a cheerleader for Book Kulchur), they're real. And I'm sort of surprised Carlin didn't own two of those already: Sagarin's Anatomy  and Legman's Rationale. They had long been in his wheelhouse. (Maybe he lost his old copies?) I looked up Our Culture and it's by Theo. Dalrymple, of whom I've only read a few articles. This one seems reactionary, no? But I don't know; haven't read it.

Sagarin was influenced by Benjamin Lee Whorf and was one of the intellectual founders of the modern gay rights movement. What a fascinating figure and unsung hero! He was a pioneer in using sociological analysis to show that laws that persecuted people for "obscene" language or other behaviors the dominator culture labeled as "deviant" were unjust laws; these "deviant" behaviors and utterances were legitimate expressions and should be protected and not prosecuted.

Legman was one of the great lone archivist-intellectuals. I own a copy of Rationale and it's a stunning, thick work of readable deep scholarship about a "taboo" subject. Note the line from folklorist Susan Davis about Legman's term "Hell Boxes": they're "a substrate of material that almost everybody knows is there, but can't talk about in polite circles." Legman was all about mining the Hell Boxes, which seem a level or two "above" what Frobenius and Pound called the paideuma




Robert Anton Wilson told me that the function of a good comedian was to touch on these subjects, because they discharged pent-up energy about the subjects into laughter.

Legman's archival bend reminds me of Ed Sanders, who supposedly has just an unbelievably large archive (500 banker's boxes? Wow) somewhere in upstate NY near Woodstock. In one of his books he mentions he was writing or had written (I lost my notes!) a history of surveillance by Authority of artists, poets, and other Thought Criminals. I have never seen it, and don't know of a library that owns it (a library I could borrow from). Here's a link to something called Sanders' Report: Surveillance Stories of the 60s and 70s, but I'm not convinced this - whatever it is - is the epic "surv" (as Sanders writes it) book from him. I hope something really huge comes from him, culled from his massive archive. As Charlie Parker blew, "Now's The Time."

This reminds me of a review of a book I haven't read: British Writers and MI5 Surveillance: 1930-1960, by Smith. The idea that intellectuals and poets were/are a threat to the existing order: artists seem to devoutly wish it were true, the evidence seems sketchy, and the spies and cops that persecute the artists, as Orwell points out as quoted in the review, don't know what the ideas "are" that has them arresting/harassing/bugging the "red" artist. The leader of the Communist Party in Great Britain considers the intellectuals "less than nothing of their value to the party."

Speaking of which: has anyone written an actual book called Theory and Practice of Oligarchical Collectivism? O'Brien, et.al in Orwell's 1984 wrote it; now seems the time to write an actual version. I'd read it if it came out, probably right after The Grasshopper Lies Heavy (a book by Hawthorne Abendsen in Philip K. Dick's The Man In The High Castle), or The Bawdy Humor of Noam Chomsky (a sarcastic in-group joke title by McCawley, Lakoff and other of Chomsky's ex-students, as found in Randy Allen Harris's excellent Linguistics Wars).



While I'm on this stuff: William F. Buckley wrote The Wit and Wisdom of Vlad the Impaler in Robert Anton Wilson's Schrodinger's Cat Trilogy. RAW has to be in the Top 20 of authors who loved to make up titles of books; his books are stacked with fictional fiction and fictional non-fiction, usually in his own fiction. Wigner's Friend by Timothy Leary (a fictional non-fiction book - about the epistemological underpinnings of quantum mechanics - by a non-fictional person); Little People With Big Ideas by Markoff Chaney is a non-fiction book, presumably, by a fictional character who's related to the family that produced Lon Chaney, but Markoff is a midget  (or "Mgt"), or "little person." His fictional name is a pun on a mathematical concept that I think I "grok" but maybe not. The idea that a "simple random walk" is an example of a Markov Chain...and this is related to Brownian motion, chaos theory, and Monte Carlo? Maybe I don't grok it yet.

Anyway, Markoff Chaney also wrote a book called Reality Is What You Can Get Away With. (citation: see the omnibus edition of Schrodinger's Cat Trilogy, p.538). This fictional character Chaney wrote a book about ontology, or how and what constitutes "reality" or Being-ness. Later, the writer that wrote Chaney's Being-ness into...some ontological status? himself wrote a book by that same title. There is no way to tell if both books "are" the same book, as one is a non-fiction book (maybe?) in a fictional work, while the other appears to be a "play" of some sort that includes a lot of non-fiction, but most librarians would consider it a "fictional" work...unless they classified it as "Screenplays - United States," which I'm not sure is a "real" Dewey or Library of Congress classification term or not...At any rate, "Robert Anton Wilson" appears to have written two books of the same title, and my educated guess is that the books are quite different. I hope I haven't lost you here, Dear Reader. The version with more ontological status seems HERE. Buy your own copy (more ontological status?) HERE. Do not confuse all this with something about Terry Gilliam!

A book that RAW seemed to have made up, but I found out was real, was Oral Sadism and the Vegetarian Personality, written and/or edited by Glenn C. Ellenbogen. RAW thought the book was a terrific parody of academic Psychology. I have not read the book, but when I need that sort of laff (PDQ), I'll seek it out.

Pseudo-Explicational Omnibus is the title of my own nonexistent book about certain writings by Borges, Pynchon, Tom Robbins, Robert Anton Wilson, and Stanislaw Lem. To give you an idea of what the book is about, see Lem's book A Perfect Vacuum.

Here's a book: Universal Ecstatic Tautology, by Alejandro Favian. This appears to exist. I found it in a book on that fabulous weirdo-genius-scientist-Egyptologist-Jesuit Athanasius Kircher. The title would sound like a satire on Kircher, but it was written by one of his greatest admirers, and it's in five volumes, totaling 3000 pages, and like Kircher's books, it's about everything.

3000 pages is nothing, really. The other day a few of us were talking about documentaries we'd seen that knocked our socks off. I struggled to recall the name of the documentary, but when I mentioned it was about the Outsider Artist Henry Darger, someone came forth with In The Realms of the Unreal, directed by Jessica Yu. (HERE's a trailer.) Darger invented his own world and painted it. The expansion of the mythos of his world, The Story of the Vivian Girls, In What Is Known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused By the Child Slave Rebelllion, allegedly runs to 15,145 pages. I have not read it.



Medicine Chest Against All Heresies sounds like something Wilson made up (to me), but it was written by the orthodox early Christian, Epiphanius of Salamis. When I first saw the title it seemed like something parodical about fundamentalist materialists, Ayn Rand followers, or far-right-wing Christians. It appears Epiphanius was on the ep and ep.

The Etymologicon was a book Giambattista Vico imagined, and if he'd had the support of Readers, he may have written it. It was a book that would give all the deepest roots of every word in every language, so the reader could travel back to the Beginning of human language. I found out recently that Mark Forsyth had written a book by that title (2011), with the intriguing subtitle, "A Circular Stroll Through The Hidden Connections of the English Language." It's only English, but I think Forsyth has me with "hidden connections." I'll get to it soon, or at least take a "stroll" through it.

One of my favorite thinkers, Nassim Nicholas Taleb, doesn't like business books much. Neither do I. NNT gives us advice on reading: "With regular books, read the text and skip the footnotes; with academic books, read the footnotes and skip the text; and with business books, skip the text and footnotes." Bed of Procrustes, p.46. Also: "What we call 'business books' is an eliminative category invented by bookstores for writing that has no depth, no style, no empirical rigor, and no linguistic sophistication." (op.cit, 47)

I'd like to end yet another blog on books spew by returning to Prof. George Carlin, who thought a book called Doorway to Norway would be a good idea for a travel book to that country. (See Napalm and Silly Putty, p31)