De gustibus non est disputandum, I guess it's just one of those things, but I marvel at certain stylistic flair in satire. I think a struggling composer must feel similar things when listening to Bartok or Beethoven, or a young would-be Serious Novelist when reading Joyce or Pynchon.
Jonathan Swift
Swift (1729)
My first example is Swift's A Modest Proposal. I dig the rhythm, the build-up before the modest proposal. There certainly were major problems with poverty/overpopulation among the poor in Ireland around 1729, no doubt. And the tone is exemplary of the "can-do" spirit among the well-fed. One of my favorite devices: Swift bolsters his rhetoric with statistics - as if he's some proto-policy wonk - the subtext being that we're reading a rational man here. And, from the first paragraph, we know we're in the midst of a writer filled with compassion and empathy, with a foolproof appeal to the heartbreaking difficulties of Motherhood. (If you haven't read the piece, it's very short, and I know you'll read it all "eventually" but for now click on the link above and read the first paragraph, so we can all be on the same page. Thanks.)
Swift has given this a lot of thought. He wants to alleviate misery. He's a practical man, too. He's considered others' attempts at solving the problem and thinks he has a better solution. And so, before he tells us he's going to enumerate many reasons why the poor should sell off their children to be fattened and eaten by more wealthy gentry-types, he soberly writes, "I shall now therefore humbly propose my own thoughts, which I hope will not be liable to the least objection." He then follows with this sentence:
I have been assured by a very knowing American of my acquaintance in London, that a young healthy child well nursed is at a year old a most delicious, nourishing, and wholesome food, whether stewed, roasted, baked, or boiled; and I make no doubt that it will equally serve in a fricassee or a ragout.
He just wants to "ease the nation of so grievous an encumbrance." Let's face it: a lot of these kids were born out of wedlock anyway. And you know what's really terrible? Many of these desperately poor kids are hired on as cheap labor, which, being so poor, they hardly have the strength to carry out. Eating these kids has so many advantages that Swift's argument is a slam-dunk. (To the madman who would take this seriously and not see that the real problem is vast income inequality and oppression by the church, state, and landlords...Are there such madmen amongst us? I mean besides Dick Cheney...)
Some of the benefits of this idea:
-Nine months after Lent, Catholics give birth at an inflated rate; eating their babies will lessen the number or papists in our midst.
-When the poor sell their babies for food, at least they'll have a slightly easier time paying off their landlords. The landlords have already (figuratively) devoured the parents.
-Butchers will do a bang-up biz. A kid can fatten up to 28 pounds after a year: delicious!
(As Swift cites esteemed, virtuous patriots who care about the dignity of humans, and while he keeps citing stats to bolster his claims...)
-A colleague - the same unnamed "American" who we find got his ideas from "the famous Psalmanazar" - noted the problem of stores of venison being depleted too soon, so maybe we could eat boys and girls who have reached the age of 12 but not older than 14?: Swift is discerning: no, he's heard the boy-meat is "tough and lean" while you may as well let the girls live on, because they're almost of the age to produce more succulent meat from their own bodies. Point well-taken!
-Despite the practical reasons for not eating young teenage girls, as cited above, Psalmanazar's story about criminality - such as trying to poison the rich and powerful - should be considered if plump female teens commit such heinous crimes. Hey, it worked in Formosa...
-The argument against Swift - that he's not considered the aged, maimed, and diseased? Ah, but take this into consideration: they're already, every day, "dying and rotting by cold and famine, and filth and vermin, as fast as can reasonably be expected." Objections overruled. Swift wins this one, too. And besides, who cares really? Those losers aren't working anymore, anyway. Practicality, people!
-This new source of succulent, tender meat, will provide for a "refinement of taste" for "gentlemen of fortune in the kingdom." Who in their right mind can argue with this?
-Poor people will have a few less mouths to feed. Swift cares. He really does. Bless him!
-This whole scheme will be an economic boost to taverns, where gentlemen who "justly value themselves upon their knowledge in good eating" will gladly pay whatever is asked for that sweet sweet kid-meat.
-It will enhance the quality of marriage, something every state wants. Why? Well, for one thing, fathers will attend with much more loving care their wives who are pregnant with the cargo that will help them pay the rent in a few month's time. Wife-beatings among the poor will diminish. And who can quarrel with that?
-We all like the fruits of pig-meat: bacon, pork, etc, but let's admit it: things can get a bit dull eating pork chops and bacon day after day. And no pig is "comparable in taste or magnificence to a well-grown, fat, yearling child, which roasted whole will make a considerable figure at lord mayor's feast or any other public entertainment." Such refinement!
To sum up, Swift can see no objection to his proposal. I mean, think of the beauty of it: it provides for the poor while also relieving them. It also gives "some pleasure to the rich."
I've read this piece maybe 15 or 20 times in my life, and it's never lost its power over me. I think what I admire most is the way Swift, whose voice here seems to emanate from a completely insane man, at the same time has us on his side, because this mode of rhetoric - satire of the highest level - is perhaps the fullest response to poverty and suffering when one feels angry that we can do better. The requisite distance between the rhetoric and the suffering of humans is enough that no one can take this seriously, even if the tone and "rational" argument implore us to consider such a ghastly idea.
The Irish government made lame attempts to silence him, but his character and esteem were of such elevation that Swift continued to publish whatever he pleased.
Karl Marx
Marx (1862/63)
In the so-called fourth volume of Das Kapital, "Theories of Surplus Value," Marx discusses previous economist's ideas about people who provide productive labor versus those who provide "unproductive" labor. Adam Smith (who Marx greatly admired) thought that the unproductive were, among others: "churchmen, lawyers, physicians, men of letters of all kinds; players, buffoons, musicians, opera-singers, opera-dancers, etc." When Smith wrote men of letters and musicians, it frankly stung the OG. But "buffoons"? That one was like a punch to the gut. Anyway...All these lay-abouts were parasitical upon the labors of people who actually did real, honest work. But Marx, who knew his Swift (and everyone who ever wrote anything of interest, it seems), disagreed with the greatest classical economist of all time:
A philosopher produces ideas, a poet poems, a clergyman sermons, a professor books and so on. A criminal produces crimes. If we look a little closer at the connection between the latter branch of production and society as a whole, we shall rid ourselves of many prejudices. The criminal produces not only crimes but criminal law, and with this also the professor who gives lectures on criminal law and in addition to this the inevitable book in which this same professor throws his lectures onto the general market as "commodities"...
Think how much of our precarious economy owes to criminals! Where would judges or bailiffs or courthouse builders be without them? How about those fine men we call "police"? Jailers, makers of iron bars, gas chambers, badges and truncheons, guns, handcuffs? What about John Grisham and Perry Mason and Sherlock Holmes and The Sopranos? They'd be nowhere without the productions of criminals. Marx reminds us of all the improved and applied science that went into torture devices, and just think how good locks have become because of criminals. In Unistat, the gun trade is booming (sorry); the criminal's at times murderous contributions seems most essential to our very way of life!
The value of crime upon the way we think about morality is endlessly productive, and furthermore, as Francis Wheen writes, "The criminal breaks the monotony and everyday security of bourgeois life. In this way he keeps it from stagnation and gives rise to that uneasy tension and agility without which even the spur of competition would get blunted..." (p.78, Marx's Das Kapital)
Here's more of Marx on the subject:
Would the making of banknotes have reached its present perfection had there been no forgers?...And if ones leaves the sphere of private crime: would the world-market ever have come into being but for national crime? Indeed, would even the nations have arisen? And hasn't the Tree of Sin been at the same time the Tree of Knowledge ever since the time of Adam?
To those of my Dear Readers who find themselves unemployed, I offer Marx's riffs on productive labor here as merely a suggestion that perhaps we may frame our problems in different ways...
Wheen's slender book is one I found a delight, and he made me go back to reading Marx anew. There's a considerable take on Marx as a literary figure. Marx certainly wanted to produce something thoroughly along the lines of a literary masterpiece, but I personally would direct the reader to something like Dickens's Hard Times instead.
That said, Wheen covers the reception and attempts at categorizing Marx's sprawling work: "The book can be read as a vast Gothic novel whose heroes are enslaved and consumed by the monster they created ('Capital which comes into the world soiled with gore top to toe and oozing blood from every pore')." Stanley Edgar Hyman saw the book as a Victorian melodrama: "The Mortgage on Labour-Power Foreclosed." The book can be seen as a black comedy, with a debunking of the "'phantom-like objectivity' of the commodity to expose the difference between heroic appearance and inglorious reality." (Wheen, p.75)
Wheen notes the critic C. Frankel saw Kapital as like a Greek tragedy: fate, tragic blindness, fixated ideas, seeing the truth too late, etc. In To The Finland Station, Edmund Wilson saw Marx as the greatest ironist since Swift, as a supreme parody of classical economics texts, and that, having read Kapital, the classical economists "never seem the same to us again; we can always see through their arguments and figures the realities of the crude human relations which it is their purpose or effect to mask."
I can see you now, Dear Reader: you've gathered your family and closest friends in one room for an announcement. Everyone is whispering what it could be. Tension in the room is palpable. Finally, you enter through the very large main door into the parlor. Everyone becomes silent. All eyes are trained on your every move. You let the drama build, then finally, get down to brass tacks: "Friends, my most beloved family members...this has been a difficult period in my life, as you all know, but I've done a lot of thinking - soul-searching, if you will - and I've made a decision about what to do, and I hope you will all help me in my new endeavor as best you can."
"Well? What is it?!?!," your father shouts, not with a small note of anxiety in his voice.
"I've...decided to enter a life of crime."
Robert Anton Wilson
Robert Anton Wilson (c. 1975?)
If Unistatians follow politics to any appreciable level, you will note that our "leaders" tell us that many things must be done in the name of "national security." The very phrase has proven to carry a mass hypnotic effect of considerable heft. "We cannot tell you anything about why we might be doing something that would make Al Capone look like Laura Ingalls Wilder. Trust us: it's about national security." And that is usually that. Oh, some Nosy Parker journalists will look behind the curtain and then report what vast cool and unsympathetic beastly doings are going on in our name, but who the fuck READS anymore?
Much less: who actually cares?
And maybe it doesn't matter at all. Why? Well, maybe we've had it all wrong in the first place. And I mean all wrong: it could be that "national security is the chief cause of national insecurity." This is the "First Law" of Hagbard Celine, a real character who uses the words of his author, Robert Anton Wilson.
The Reader would do well to consult the primary text, in The Illuminati Papers, pp.118-122. Wilson's virtuoso satirical chops are on display here, but like Swift and Marx - whose writings RAW knew well - it's only because he's at pains to convey the many invasions of our "privacies" that we find ourselves in. And I assert RAW was not drilling in a dry hole, but has shown that, in this First Law ("National security is the chief cause of national insecurity") he has, as of 2013, proven to be a Prophet. RAW made this observation around 40 years ago - probably after citizens broke into the FBI office in Media, PA in 1971 - and the essay was written (possibly) around the time Watergate became a news item, and (possibly) close to the summer of 1975 Church Committee hearings that "damaged" the CIA...at any rate, COINTELPRO was at work and possibly known, this was all well before Internet and the massive We Make the East German Stasi Look Like Pikers-era of Total Information Awareness by the NSA, FBI, CIA, local police, nefarious hackers, Wall Street, Facebook, Google, the TSA...et.al
RAW's main rhetorical ploy there was one he played with verve and aplomb like Bach played the organ: the reductio ad absurdum. That is, if we took the claims of "national security" seriously in the early 1970s, it meant that the watchers must have watchers, because who can place total trust in the first group of watchers over our security and movements? But that second group can't be entirely trusted - something corrupt might happen - so we need another "security group" to watch the second group. And while they're at it, they should probably try to watch the first, initial group of security-providers. You can see where this went. For RAW, it was satire, but with a point. For us in 2014, it's something like Nightmare Prophecy come true: the (near) total Surveillance State.
Most of you are way ahead of me, so I'll just pick one story that I've mentioned with my friends that seems to have slipped through the cracks: NSA intercepts shipments of laptops purchased online and installs malware in them. I'm sure you guys have a "favorite" that's "better" than this one. Have at it in the comments!
O! To be able to write satire with the panache of Swift, Marx, Wilson!
The Overweening Generalist is largely about people who like to read fat, weighty "difficult" books - or thin, profound ones - and how I/They/We stand in relation to the hyper-acceleration of digital social-media-tized culture. It is not a neo-Luddite attack on digital media; it is an attempt to negotiate with it, and to subtly make claims for the role of generalist intellectual types in the scheme of things.
Overweening Generalist
Showing posts with label income inequality. Show all posts
Showing posts with label income inequality. Show all posts
Thursday, August 14, 2014
Sunday, February 2, 2014
"Stamp Out Sizeism": On the Unfortunate Human Outlier and the Rest of Us
I just looked in to see who won Unistat's Big Gladiatorial Game of the Year - a secular holiday in Unistat - and was surprised at the result, which was not normal. Not even close. I had seen during the two weeks of festivities hyping the game that it was "the best offense versus the best defense," and Experts usually said it was a toss-up; it would be a good, close game. This morning I heard on the radio while showering that the great actor Philip Seymour Hoffman had died of a heroin overdose, so I checked the Huffington Post when I got out but their overblown headline was about the Super Bowl: "A Matchup For the Ages" or something like that. Yea, yea...maybe. One team beat the other team 43-8.
A terrible game. Not within any Expert's Bell Curve-y prognostications.
Robert Anton Wilson's fictional character "Markoff Chaney" features prominently in his novels, Schrodinger's Cat Trilogy and his counterculture "underground" classic, Illuminatus!, co-written with his friend Robert Shea. In a 1996 interview Wilson said that Chaney was about 99% his creation, and in an earlier interview he explained that Chaney was "at war with the concept of the normal."
actor David Rappaport, who played Chaney
in the 10-hour, staged version of
Illuminatus!
"Mr. Chaney, you see, was a midget, but he was no relative of the famous Chaneys of Hollywood. People did keep making jokes about that. It was bad enough to be, by the standards of the stupid gigantic and stupid majority, a freak; how much worse to be so named as to remind those big oversized clods of cinema's two most-famous portrayers of monstro-freaks. By the time the midget was fifteen, he had built up a detestation for ordinary mankind that dwarfed (he hated the word) the relative misanthropies of Paul of Tarsus, Clement of Alexandria, Swift of Dublin." - The Universe Next Door, found on p.35 of the SCT, omnibus edition.
Chaney wanted revenge on the "normal" sized people. He was paranoid (wouldn't you be?), and very intelligent, and had a brilliant if devious creative streak that had him constantly pulling pranks on the Normals. Wilson fans love Chaney's signs and memos, which are numerous throughout RAW's work. Being adept at electronics, Chaney fixed the street lights so that when they turned red they read WALK, when green they flashed DON'T WALK. He made out fake stationery headings for fake organizations, wrote puzzling messages on public restroom walls, and tried to meddle in any scientist's research which attempted to measure the "normal."
Some Chaney graffiti:
"Off the Landlords"
"Help Prevent Von Neumann's Catastrophe!"
"Arm the Unemployed"
"For a good blow job call 555-1717 and ask for Father James Flanagan"
"Free Our Four-Legged Brothers and Sisters"
"Entropy Requires No Maintenance"
"Stamp Out Sizeism"
What can the amateur psychoanalyst make of the person behind such messages? The graffiti artist seems to me to be a militant Leftist (landlord and unemployed riffs); scientifically literate (entropy and Von Neumann), and has a beef with the Roman Catholic Church. (What could the line about "sizeism" mean?)
What are the precursors to Markoff Chaney?
Wilson says the character was inspired by his studies of mathematical information theory in which the Markov Chain plays a large part as a function. He thought a character with that name might be some sort of monster, like the characters played by Lon Chaney Sr. and Jr. in Hollywood horror films.
When I first read Wilson's books Chaney reminded me of Tyl Eulenspiegel an impudent trickster in European folklore, who constantly pranks and may be traced to an actual historical highway robber from 1339, but who knows? The character seems archetypal anyway.
The Czech writer Jaroslav Hasek's most famous novel, The Good Soldier Schweik, also seemed like a worldwide cultural precursor to Markoff Chaney. From the Introduction to a novel On the Edge of Reason, by the early 20th century Croatian master Miroslav Krleza, Jeremy Catto writes, "The individual's struggle against the madness of authority was a theme of the dying Hapsburg Empire. For Kafka, it had been played out in a nightmare of red tape, where monsters in morning coats or official uniforms trapped their prey in a tangle of paper. Jaroslav Hasek in a lighter mood would confront the same unreasoning authority with his comic hero Schweik, who would dodge the demands with a mad logic of his own. Release and escape from dominance inspired the authentically Viennese science of psychology in the hands of Sigmund Freud." (p.9)
A generalized approach along the lines of Hasek's character seems to have influenced a basic flavor of many novels in English in the second half of the 20th century, black comedies in which the Individual is caught in a web of Bureaucratic SNAFU and absurdity, in which a counter-absurdity seems the only "logical" response. How many of you thought of Catch-22 immediately after reading about Schweik?
[In Unistat, one wonders about the deeper motives of Ray Palmer...After an accident, he was left a four-foot tall hunchback who may have had quite an outsized influence on our perceptions of aliens from another planet visiting us, UFOs, etc. He was a HUGE influence on science fiction.]
Jack Napier is a real-life prankster who alters billboards in a way similar to Markoff Chaney's pranks. But Napier says he was influenced by another science fiction writer, John Brunner, in Brunner's novel Stand on Zanzibar. Says Napier: "It featured a character who, whenever he spotted an officialese sign, would change it to say something absurd, like, 'While in the bathroom, please keep your left hand inside your pants pocket - The Management.'" (Pranks! vol 2, p.97)
RAW's Chaney also signed some of his absurd signs as being from "The Management," but instead he abbreviated it to "The Mgt," which RAW said could also mean "The Midget." (Many RAWphiles write nutty things to each other, signing off as "The Mgt.")
In the 19th century, the mathematics of Karl Friedrich Gauss - one of the truly great mathematicians ever - seems to have been misused. Gauss invented the Bell Curve to illustrate a theoretical point about statistics. Some took the Bell Curve as a way to make claims about the structure of reality. In the famous book A Mathematician's Apology, G.H. Hardy writes:
"The 'real' mathematics of the 'real' mathematicians, the mathematics of Fermat and Euler and Gauss and Abel and Riemann, is almost wholly 'useless' (and this is as true of 'applied' as of 'pure' mathematics)." But Adolphe Quetelet (1796-1874), a perhaps overly enthusiastic leveler who wrote an opera and poetry, was a mathematician and a sociologist/criminologist - he was a wild polymath-generalist, really! - thought he had found Bell Curves everywhere, and that they did map to "reality" and this meant he could make world-shaking grandiose claims about "normality" or "the average" which was "good." Quetelet even invented (he would probably say he "discovered" l'homme moyen, or "the average man." The average was normal and was harmonic and good; those Damned Things that were outliers were obviously the non-normal. In the European 19th century: social unrest everywhere and socialist thinkers galore. If there was an average weight, height, baby birth size, chest width...there should be an average in wealth. Those found outside the Bell Curve of income and wealth...not normal. Not good. There are lies, damned lies, and statistics, and if we want to make normative claims about fairness - and we do - we will use whatever we have. Does it mean that our numbers constantly reduce down to some Pythagorean golden mean-like idea of Justice? Can we ground our claims there? It seems many of us will.
Markoff Chaney's bete noir in non-fiction/human history is Quetelet and his brood of followers.
What is taken for "knowledge" is always contestable. Markoff Chaney is right! Stamp out sizeism! There are no normal sunsets! No one is "average" looking. That's math not "reality"! We have opinions and ideas about justice, morality, and beauty. Let me put one of my own forth: It's indecent to have 85 people who have as much money as 3.5 billion of the world's population. Why? Well...look at my stat! (And aye: look at the suffering. Is this who we are?)
I consider the second inchoate "argument" my more legitimate claim and would "ground" my moral argument there, not on a Platonic idea of Justice derived from Bell Curves. I'd argue from basic human dignity and a problem with a Stark Cold Invisible Mangled Hand in capitalism.
What about those smaller of stature? What about their perception of the world? The world looks different if you're three and a half feet tall, and you get in an elevator: everything looks like a crotch. Conversely, tall people, in study after study, have been shown to be more content with their lives, they go further in their educations, make more money, have better jobs, and in general: they're socially dominant. And this might have people who are shorter feeling...paranoid? Chaney sure was. A recent study had women who reported feeling paranoid at some point during the past 30 days experience a Virtual Reality simulation of riding in the London Underground. The women went through the simulation twice, but the second time the VR people tweaked the perceptions of the women, making them virtually ten inches shorter. The women didn't notice this, but did report more feelings of inferiority and paranoia when they were on the shorter "rides" in VR.
Speaking of the London Underground, prankish signs, and Markoff Chaney, see THESE.
A terrible game. Not within any Expert's Bell Curve-y prognostications.
Robert Anton Wilson's fictional character "Markoff Chaney" features prominently in his novels, Schrodinger's Cat Trilogy and his counterculture "underground" classic, Illuminatus!, co-written with his friend Robert Shea. In a 1996 interview Wilson said that Chaney was about 99% his creation, and in an earlier interview he explained that Chaney was "at war with the concept of the normal."
actor David Rappaport, who played Chaney
in the 10-hour, staged version of
Illuminatus!
"Mr. Chaney, you see, was a midget, but he was no relative of the famous Chaneys of Hollywood. People did keep making jokes about that. It was bad enough to be, by the standards of the stupid gigantic and stupid majority, a freak; how much worse to be so named as to remind those big oversized clods of cinema's two most-famous portrayers of monstro-freaks. By the time the midget was fifteen, he had built up a detestation for ordinary mankind that dwarfed (he hated the word) the relative misanthropies of Paul of Tarsus, Clement of Alexandria, Swift of Dublin." - The Universe Next Door, found on p.35 of the SCT, omnibus edition.
Chaney wanted revenge on the "normal" sized people. He was paranoid (wouldn't you be?), and very intelligent, and had a brilliant if devious creative streak that had him constantly pulling pranks on the Normals. Wilson fans love Chaney's signs and memos, which are numerous throughout RAW's work. Being adept at electronics, Chaney fixed the street lights so that when they turned red they read WALK, when green they flashed DON'T WALK. He made out fake stationery headings for fake organizations, wrote puzzling messages on public restroom walls, and tried to meddle in any scientist's research which attempted to measure the "normal."
Some Chaney graffiti:
"Off the Landlords"
"Help Prevent Von Neumann's Catastrophe!"
"Arm the Unemployed"
"For a good blow job call 555-1717 and ask for Father James Flanagan"
"Free Our Four-Legged Brothers and Sisters"
"Entropy Requires No Maintenance"
"Stamp Out Sizeism"
What can the amateur psychoanalyst make of the person behind such messages? The graffiti artist seems to me to be a militant Leftist (landlord and unemployed riffs); scientifically literate (entropy and Von Neumann), and has a beef with the Roman Catholic Church. (What could the line about "sizeism" mean?)
What are the precursors to Markoff Chaney?
Wilson says the character was inspired by his studies of mathematical information theory in which the Markov Chain plays a large part as a function. He thought a character with that name might be some sort of monster, like the characters played by Lon Chaney Sr. and Jr. in Hollywood horror films.
When I first read Wilson's books Chaney reminded me of Tyl Eulenspiegel an impudent trickster in European folklore, who constantly pranks and may be traced to an actual historical highway robber from 1339, but who knows? The character seems archetypal anyway.
The Czech writer Jaroslav Hasek's most famous novel, The Good Soldier Schweik, also seemed like a worldwide cultural precursor to Markoff Chaney. From the Introduction to a novel On the Edge of Reason, by the early 20th century Croatian master Miroslav Krleza, Jeremy Catto writes, "The individual's struggle against the madness of authority was a theme of the dying Hapsburg Empire. For Kafka, it had been played out in a nightmare of red tape, where monsters in morning coats or official uniforms trapped their prey in a tangle of paper. Jaroslav Hasek in a lighter mood would confront the same unreasoning authority with his comic hero Schweik, who would dodge the demands with a mad logic of his own. Release and escape from dominance inspired the authentically Viennese science of psychology in the hands of Sigmund Freud." (p.9)
A generalized approach along the lines of Hasek's character seems to have influenced a basic flavor of many novels in English in the second half of the 20th century, black comedies in which the Individual is caught in a web of Bureaucratic SNAFU and absurdity, in which a counter-absurdity seems the only "logical" response. How many of you thought of Catch-22 immediately after reading about Schweik?
[In Unistat, one wonders about the deeper motives of Ray Palmer...After an accident, he was left a four-foot tall hunchback who may have had quite an outsized influence on our perceptions of aliens from another planet visiting us, UFOs, etc. He was a HUGE influence on science fiction.]
Jack Napier is a real-life prankster who alters billboards in a way similar to Markoff Chaney's pranks. But Napier says he was influenced by another science fiction writer, John Brunner, in Brunner's novel Stand on Zanzibar. Says Napier: "It featured a character who, whenever he spotted an officialese sign, would change it to say something absurd, like, 'While in the bathroom, please keep your left hand inside your pants pocket - The Management.'" (Pranks! vol 2, p.97)
RAW's Chaney also signed some of his absurd signs as being from "The Management," but instead he abbreviated it to "The Mgt," which RAW said could also mean "The Midget." (Many RAWphiles write nutty things to each other, signing off as "The Mgt.")
In the 19th century, the mathematics of Karl Friedrich Gauss - one of the truly great mathematicians ever - seems to have been misused. Gauss invented the Bell Curve to illustrate a theoretical point about statistics. Some took the Bell Curve as a way to make claims about the structure of reality. In the famous book A Mathematician's Apology, G.H. Hardy writes:
"The 'real' mathematics of the 'real' mathematicians, the mathematics of Fermat and Euler and Gauss and Abel and Riemann, is almost wholly 'useless' (and this is as true of 'applied' as of 'pure' mathematics)." But Adolphe Quetelet (1796-1874), a perhaps overly enthusiastic leveler who wrote an opera and poetry, was a mathematician and a sociologist/criminologist - he was a wild polymath-generalist, really! - thought he had found Bell Curves everywhere, and that they did map to "reality" and this meant he could make world-shaking grandiose claims about "normality" or "the average" which was "good." Quetelet even invented (he would probably say he "discovered" l'homme moyen, or "the average man." The average was normal and was harmonic and good; those Damned Things that were outliers were obviously the non-normal. In the European 19th century: social unrest everywhere and socialist thinkers galore. If there was an average weight, height, baby birth size, chest width...there should be an average in wealth. Those found outside the Bell Curve of income and wealth...not normal. Not good. There are lies, damned lies, and statistics, and if we want to make normative claims about fairness - and we do - we will use whatever we have. Does it mean that our numbers constantly reduce down to some Pythagorean golden mean-like idea of Justice? Can we ground our claims there? It seems many of us will.
Markoff Chaney's bete noir in non-fiction/human history is Quetelet and his brood of followers.
What is taken for "knowledge" is always contestable. Markoff Chaney is right! Stamp out sizeism! There are no normal sunsets! No one is "average" looking. That's math not "reality"! We have opinions and ideas about justice, morality, and beauty. Let me put one of my own forth: It's indecent to have 85 people who have as much money as 3.5 billion of the world's population. Why? Well...look at my stat! (And aye: look at the suffering. Is this who we are?)
I consider the second inchoate "argument" my more legitimate claim and would "ground" my moral argument there, not on a Platonic idea of Justice derived from Bell Curves. I'd argue from basic human dignity and a problem with a Stark Cold Invisible Mangled Hand in capitalism.
What about those smaller of stature? What about their perception of the world? The world looks different if you're three and a half feet tall, and you get in an elevator: everything looks like a crotch. Conversely, tall people, in study after study, have been shown to be more content with their lives, they go further in their educations, make more money, have better jobs, and in general: they're socially dominant. And this might have people who are shorter feeling...paranoid? Chaney sure was. A recent study had women who reported feeling paranoid at some point during the past 30 days experience a Virtual Reality simulation of riding in the London Underground. The women went through the simulation twice, but the second time the VR people tweaked the perceptions of the women, making them virtually ten inches shorter. The women didn't notice this, but did report more feelings of inferiority and paranoia when they were on the shorter "rides" in VR.
Speaking of the London Underground, prankish signs, and Markoff Chaney, see THESE.
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