Overweening Generalist

Showing posts with label anti-semitism. Show all posts
Showing posts with label anti-semitism. Show all posts

Tuesday, November 8, 2016

Ezra Pound and Douglas Rushkoff on Late Medieval/Early Renaissance Economics

I've been re-reading the chronological selection of essays on economics in Pound's Selected Prose, 1909-1965, which I always find thrilling. The book was edited by Pound scholar William Cookson. The section on economics is titled, "Civilisation, Money and History," and Cookson gives us Ez's wonderful pro-cosmopolitan essay "Provincialism the Enemy" from 1917 first. And, as I read each essay in this section, it's like watching one of your favorite horror films once again: you know where it's going, and, if it's really great - and it is - you see new things each time.

Also, things can get pretty dicey, but you know when you should look away, but don't?

To those of you who came in late: Pound at age 15 said he wanted to know more about poetry at the age of 30 than any man alive. I think he carried that off. He made a cultural renaissance of literary modernism. When many of his favorite artist friends were killed in World War I, he wondered what caused the war. He decided to teach himself economics. Why were artists starving when there was plenty to go around? And besides, Pound seems to have long believed that innovative artists were the engines of culture. Their work may seem "weird" now, but when you look back 30 years, you see they were in the avant of what's currently the "new" thing. So why are some who seem to produce nothing of value rich, while the creators of culture languish? This was a scandal to Pound.

                                              Ezra Pound in Venice, 1963

Cut to the chase: eventually the world wide stock market crashes and Pound, possibly driven slightly nuts by his own poverty, possibly because he was manic, or because of some massive character flaw, or combinations of all those things plus other "causes," began to rail against the Jew-bankers. Before he was captured by the Allies in Italy, Pound was making radio broadcasts with Mussolini's imprimatur, telling the US troops that they're fighting for the wrong cause, that FDR - who Pound once called "Stinky Rosenstein" during one broadcast, as if FDR were a "secret Jew" like Obama was a "secret Muslim" - was not the right cause, not the true "Anglo-Saxon" cause. Somehow Pound, between 1917 and 1940, had gone off the mental rails in a major way. Reading his brilliant but "mad" essays you are forced to come to grips with the idea that Pound had somehow - in my main model via maximum naivete - actually believed that Mussolini stood for the same things that Thomas Jefferson did. It's stunning, dramatic, garish, and ultimately tragic.

So, as I read Ez's essays having to do with money, civilization and economics, arranged chronologically by Cookson, I'm now looking for little signs of "crazy" to pop up. Included in this long section of the book (which extends from p.187 to p.355), Pound's 1935 pamphlet, ABC of Economics, shows up. This is Ez trying to tell us that C.H. Douglas's "social credit" ideas are probably more sound than John Maynard Keynes's ideas about economics and how to proceed after the 1914-18 war.

Douglas's ideas about the "increment of association" harmonize well with many of the current worldwide philosophical arguments for Basic Income. But Douglas, a brilliant engineer, had an antisemitic streak, and sadly, so did a lot of those who gathered around the Social Credit movement. In Pound's ABC of Economics he refuses to Jew-bait, argues for the role of the State in getting production for goods going if needed, and distributing them as needed, but not making munitions for for more wars. Work days being cut in half is a oft-repeated idea: if we all worked four hours instead of eight, everyone would have work, and everyone would have time to have a creative life. These too are ideas I've seen increasingly pop up in today's thinking on alternative economics.

Almost all of Pound's ideas about economics are presented as "this is what I've learned from studying economics on my own and you should study the subject too." Which I find refreshing. He makes an interesting point by saying that one reason most people don't have any appreciable understanding of their own economic world is that no one had much thought about it until around 1800. But even more persuasive: economists use a haze of abstract language in order to fake what they're doing. The English novelist John Lanchester came out with a book in 2014 addressing - very well - this problem: How to Speak Money: What the Money People Say and What It Really Means. My current favorite blog on economics is Evonomics. Those writers make me think, and for that I'm grateful.

Many of us, myself included have long suspected that very very few PhDs in Economics have ever spent time in poverty. And that's a problem. Economists have long allied themselves with the owners of capital cee Capital. I don't see it as a conspiracy but simple human nature.

A weird but wonderful idea Pound got from trying to figure out economics is his "animal/vegetable/mineral" riff: bankers and finance capitalists and stock market players are increasing their money from "mineral," which is the only one of this triumvirate that doesn't increase naturally. Animals reproduce and "grow" hides, milk, etc. The vegetable world is the sexy hyper-increasing world. That's where true wealth should be measured: that which increases in nature. I have always found this idea of Pound's very pagan-sexy and poetic, but too simplistic. The best answer to it I've read is a long essay by the erudite Lewis Hyde, in "Ezra Pound and the Fate of Vegetable Money," found in Hyde's book The Gift: Imagination and the Erotic Life of Property. Fantastic essay...

Because it's quite good form to quote from your subject at least once, here's a few lines from Pound's ABC that I thought were accurate and funny. Ez is addressing "aristodemocratic" folks and their privilege and the idea of noblesse oblige:

In practice it is claimed that the best get tired or fail to exert themselves to the necessary degree. 

It seems fairly proved that privilege does NOT breed a sense of responsibility. Individuals, let us say exceptional individuals in privileged classes, maintain the sense of responsibility, but the general ruck, namely 95 percent of all privileged classes, seem to believe that the main use of privileges is to be exempt from responsibility, from responsibilities of every possible kind.

This is as true of financial privilege as of political privilege.
-p.247, Selected Prose, 1909-1965

[Donald Trump lecturing all the Americans who don't pay taxes.]

The very next essay in the book is also from 1935, and is where I'd mark where Ez's mind had jumped the tracks. Ostensibly, it's a very short book review of John Buchan's biography of Oliver Cromwell, which had come out the year before. Pound doesn't like the book, because Thomas Cromwell, born in 1485 or so, who became the great international banker for King Henry VIII, isn't addressed adequately. Or so one assumes. That's what Ez read the book for, one assumes: to learn more about indecent grand larceny and its history. Oliver Cromwell isn't really addressed in the review. I haven't read Buchan's book on Cromwell, so who knows, but Pound begins his review by citing usury and sodomy and the medieval Catholic church, which was against both. Sodomy because...well, the Hive King needs more warriors, is my guess. "Doing it" that way isn't about that oh-so "natural increase." Also: charging interest at an unreasonable rate? Unnatural, aye. The way that money increases is manifestly not the way that wheat increases. (Prof. Carlin would like to argue that cancer, spina bifida and even nachos cheese chips are "natural" too, but we don't have time for him right now.)

Well, there's Ez spending his book review attacking "the brutal and savage mythology of the Hebrews," (dog-whistle: Jewish bankers), and the Protestant Calvin doesn't get off easily either.  Oh, also at the beginning of the "review" Ez lays out ideogrammically how beautiful the 11th century church of St. Hilaire in Poitiers is, and juxtaposes this with the Rothschilds (dog-whistle again!) and their "bomb-proof, gas-proof cellar" where they hide the art. Furthermore, Buchan's book should have been a history book that tells us about our lives now.

But it's a biography, Ez. Calm down.

And by the way: the biography is about Oliver Cromwell, not Thomas. Oliver was the great-grandson of Richard Cromwell, who was Thomas Cromwell's nephew.

Nutty!

                                                    Dr. Douglas Rushkoff

A recurring theme in all these essays on civilization, money and economics - and in Pound's poetic life-work Cantos - is that the medieval church was contra usury. They had values. And, over the years, as I've studied Pound's works, I see him grapple with economics throughout. And, despite what he lamented at the end of his life (he died in 1972): his "stupid suburban antisemitism" which hurt everyone he loved and got him put in an insane asylum for 13 years? Most of his economic ideas are sound. Or rather: they seem sound to me. The Jewish banker riffage is rancid, vile, heinous stuff. ("Deploreable"?) And yet: to quote Pound from a 1960 essay: "Every man has the right to have his ideas examined one at a time." I agree. And with Pound, you get a beautiful idea in one paragraph, an obscure idea in the next, and a terrible idea in the next. Allen Ginsberg visited old Pound in Italy and told Pound his ideas had turned out to be right, just look at the Pentagon budget!, but Pound thought he'd botched his life and wasn't much for speaking any more. However, and ironically, I think the public intellectual Douglas Rushkoff - who happens to "be" Jewish - has done all the research Pound missed, and yet they are on the same page.

Rushkoff says medieval peer-to-peer selling in the local "market" (an idea that Crusaders got from the Muslims, who called it a "bazaar"), using local currencies, encouraged goods to be well-made ('cuz local and face-to-face), and lots of people got "rich." That is, until the local king outlawed local currencies and invented the chartered monopoly: you can only use money the King has issued (or they kill ya). And: now you can't work for yourself, you had to become a wage-slave for the King, who's the only one who can tell you whether you can make shoes or not. It wasn't "Jews" who created this; it was European Lords of the Land, and they could get away with it because their monopoly on violence was more extensive than anyone else's. (For those who'd like to see a book, with lots of scholarly citations, see Rushkoff's stellar Life, Inc.)

Rushkoff says this model is still with us, but now it's on "digital steroids." When Wal-Mart moved into a town it took 20 years for that town to have all its shops close and for half of the town to be making sub-minimum wage working at Wal-Mart. Now a digital company can wipe out all competition in 20 months. And Twitter is an abject failure because it can "only" make $2 billion a year, but its investors want it to make $200 billion...for a platform that delivers 140 characters.

If you have 50 minutes, get a load of Rushkoff giving the final talk at the most recent Sibos convention: it's a boffo event for the big players in "the world's financial services" leaders. (Rushkoff's bit starts at about 11 minutes in, but dig the "financial services" gobbledygook uttered by the smug woman at the beginning, then contrast it with Rushkoff's impassioned secular jeremiad against what probably almost everyone in that room deeply believes is true and good. This talk was held in Switzerland very recently, as of this writing. In my opinion, EVERYONE needs to know Rushkoff's narratives about how we got to Trump and Occupy and Brexit and Goldman-Sachs-bought Hillary Clinton, etc.

O! If only Ezra Pound could've had a friend like Douglas Rushkoff to help him in his study of economics!

                                          έργο τέχνης για το blog σας: δείτε Bob Campbell

Saturday, February 13, 2016

Pound Notes: (Ezra), Paideuma and You

I just finished re-reading 1992's Trialogues at the Edge of the West: Chaos, Creativity and the Resacralization of the World, a collection of far-out-there "trialogues" between the chaos mathematician Ralph Abraham, the late hyperarticulate psychonaut Terence McKenna, and the arch-Heretic of Biology, Rupert Sheldrake. These conversations about eschatology, climate crisis, morphological fields, comparative religion, discarnate entities in world history, wellsprings of creativity, educational reform and metaphors about "light" - among other things - seemed ancient. With the acceleration of information and experienced time, I revisited this book that I'd read soon after it came out. I had forgotten how NeoPlatonist all three thinkers were. One riff that runs pretty much through all these conversations - held at Esalen - was: what do we need to do to re-think what got us into this predicament? And they all seem to agree we need an updated archaic revival: of partnership society (not patriarchy), of getting back into nature and connecting in a deep way with plants and life. We need to find ways to lessen our own toxic egos, dissolve boundaries between each other, and sex is really healthy and good. Psychedelic mushroom use was one thing they all agreed was a potentially powerful way to catalyze all this.

                               this photo of Pound seems to have originally appeared in the 
                               New York Daily News with the caption: "Jew Hater"

By 1939, Pound had gone over the edge. He'd lost his center, but he didn't know it yet. He had been driven...mad? into paranoid antisemitic conspiracy thought? into deep delusions? It's up to The Reader to decide. Having a great number of artist-friends killed in the 1914-1918 World War...for what? The Poet - who, let's face it: was probably born an extra-ordinary person - decided to investigate the ultimate reason(s) this war happened. And he soon got into economics: money, banks, bankers, usury, and...oy!

Ezra Pound thought pretty much the same things about an "archaic revival" as the three Wiggy Thinkers I mentioned above (except for the drugs, which about which, later, below): In 1939 Pound wrote:

What we really believe is the pre-Christian element which Christianity has not stamped out. The only Christian festivals having any vitality are welded to sun festivals, the spring solstice, the Corpus and St. John's eve, registering the turn of the sun, the crying of "Ligo" in Lithuania, the people rushing down to the sea on Easter morning, the gardens of Adonis carried to Church on the Thursday.

Soon after, Pound wrote:

Paganism included a certain attitude toward; a certain understanding of, coitus, which is the mysterium. The other rites are the festivals of fecundity of the grain and the sun festivals, without revival of which religion can not return to the hearts of the people.

["Ligo" here is not to be confused with the recent news that Einstein's gravitational waves have finally been found by LIGO, the Laser Interferometer Gravitational-Waves Observatory. Pronounced "leegwa," Ligo here is the summer solstice as celebrated in Latvia and Lithuania; it's like their xmas.]

Put blood simple, Mad Ol' Ez was for the sex goddess Aphrodite, and Helios: the sun god. Fucking outdoors in Nature: that's the true religion for those of us in Europe and the West. It gets to the heart of Pound's idea of paideuma, which was the semantic unconscious of a people; the deep tangles of ideas that form a culture and make it unique.

 I've been reading A.David Moody's third volume of biography of Pound, Ezra Pound: Poet Vol III,  and it's magisterial. I've long regarded Pound's life as the most compelling, dramatic, spellbinding, weird and tragic of all 20th century artists. This bio covers "the tragic years 1939-1972," to Pound's death. Moody confirms some of my ideas about the inexhaustible Ez. It extends almost all of my ideas about the guy who edited The Wasteland. It's the sort of biographical subject-writing that a street intellectual who maybe had only "heard about" Pound might still thrill at reading. It's almost like Pound was "made up" by some other Mad Poet-Genius, in order to compete with a figure like Faust. But Ez wuz real!

Around the time the Trialogues book came out, Ray Muller produced a fantastic documentary film about Hitler's favorite filmmaker, Leni Riefenstahl, called The Wonderful, Horrible Life of Leni Riefenstahl. Pound's life was at least as wonderful and horrible as Riefenstahl's.

The term paideuma was coined by Leo Frobenius, who I wrote about HERE.

In her terrific book on lost writings by Pound, Machine Art and Other Writings, Maria Luisa Ardizzone has a long footnote about Pound and his understanding and use of Frobenius's term which is worth repeating here:

Pound's idea of culture as Paideuma is crucial for understanding his virulent anti-Semitism from the 1930s onward and for his treatment of aesthetics. Frobenius's idea that there is a connection between, for instance, the form of a bed which certain people make and use and the kind of economy (agricultural and sedentary, or nomadic)(see Frobenius, Anthology, 9) is crucial for Pound's idea that an economy of usury will influence art: "form." Pound summarizes this idea in a single assertion, variously reiterated: "The form of objects is due to CAUSE" In Guide to Kulchur, 57, Pound explains the meaning of "Paideuma" as follows: "To escape a word or a set of words loaded up with dead association Frobenius uses the term "Paideuma" for the single or complex of the inrooted ideas of any period." In "For a New Paideuma" he writes, "The term "Paideuma" as used in dozen German volumes has been given the sense of an active element in the era, the complex of ideas which is in a given time germinal, reaching into the next epoch, but conditioning actively all the thought and action of its own time." (Selected Prose, 284; emphasis [Ardizzone's]. I have stressed the importance of the word "complex," which in Pound's work belongs to the idea of a unity that is one and plural. - pp.44-45, note #45, Machine Art

[Quick observation: I agree totally with Ardizzone about Pound's desire to see a paideuma as a unity that is plural. Pound had metaphors for aesthetic growth and movement in culture before World War 1, such as "the vortex." His Imagism was a deliberate attempt to revolutionize Modern Art. Hell, all of his aesthetic manifestoes and books sought Rev. The plurality within a unity metaphor seems isomorphic to Sheldrake's morphogenetic fields, which are invisible fields that carry memories of both themselves and other morphogenetic fields. It's similar to Leibniz's "monads" and Jung's collective unconscious. It also bears a family resemblance to the sociology of "ideologies" which have a public face of claims to rationality, and to being above the fray of power and politics yet are quite likely a special interest. All of these ideas have often been presented as a unity with much plurality "carried" within. Sorry for the digression!- the OG]

So: Pound fell in love with this invention by Frobenius and sought to extend it. But for a "sick" mind such as Pound's what it meant had to do with what got us into WWI: war profiteering, banking crooks, and bad ideas that Pound saw were complexly rooted in an alien paideuma: the Semitic one. It had infected Europe and his United States. He needed to wake us all up to this invisible but deeply rooted menace.

Quick Glance Into Pound's Paranoia: Drugs
I wrote above that Pound was not in line with McKenna, Abraham, and Sheldrake about drugs. And this gives a hint. Moody tells us that Pound said he "knew" since 1927 the Commies were drugging us as a political weapon. Yep: "drugs" - no delineation between mescaline or cannabis or amphetamines, just "drugs" - were being used by Jew-Commies to corrupt and destruct the goys. Get a load of this, Ez in a letter to Olivia Rossetti Agresti, August, 1954, Pound in the loony bin at St. Elizabeth's in DC:

heroin is pushed/ and the negro attendant knows that big chews are back of it...AND the kikes go for the WHOLE of the more sensitive section of the younger generation/ 'all' jazz musicians on marijuana/which 'is not habit forming' and leads to heroin/ and 'Benzadrine is harmless, they give it to aviators'/ so that after carpet bombing they will go on with some drug habit or other. - Moody's vol 3, p.317

[Brief comment: talk to Mezz Mezzrow, a jew-turned black about marijuana among jazz musicians!]

On with it...

Now, because I could go on for another 2000 words but won't, I want to end by floating out this idea: If we look at Frobenius's life: he was proto-fascist, but was one of the first Modern Europeans to raise up Africa as filled with brilliant and genius traditions, or as Frobenius's biographer Janheinz Jahn wrote, Frobenius gave to German people a counter-idea about Africa: an "insignia of nobility: human dignity, culture, art, literature, and history...it helped Africans and Afro-Americans to find a new consciousness of themselves within the African tradition." - from a short bio titled Leo Frobenius: The Demonic Child

Now: inventing the notion of certain geographical areas as living organisms and works of art and ideas seems fine on the surface, but it's an old trap, innit? If WE are one thing, THEY are another. And we may see beauty or value in the OTHER, but reading history for the last 30 years: far too often: THEY are simplified into a threat. "They" become demonized...

And there are other ideas like paideuma floating around out there. I guess the trick is to see the human race as one family (actually, we are: see "Everyone On Earth Is Actually Your Cousin" and note any changes in your consciousness after you've understood it). We're all in this together, the world is getting smaller and smaller, eh?

And THEN let's think about the human collective unconscious, or paideuma, or mazeway, or whatever you want to call it. It's an idea seemingly tailor-made for Generalists. What are your preliminary diagnoses? Where did we get the idea we must always be armed to the teeth? Why do men rule over women? Why must "my" version of the Sky-God have a bigger dick than your Sky-God? What about money? What about ownership of land? Please feel free to add ones that puzzle you.

See what you can make of it before we realize what Pound thought had already happened: he thought we'd made a "botched civilization." How do we use our imaginations to get out of this? Take your time, even though we sorta are pressed, no?...

                                           art: Bobby Campbell