Why "late?": Global warming, antibiotic resistance, global terror, income inequality, acceleration of AI, rapidly ephemeralized synthetic biological techniques, nuke proliferation. I'm not all that worried about an errant asteroid. I'm worried about sociopaths in power, and a species-wide inequality in knowledge and empathy towards The Other...
Three articles caught my eye in the past week. I'll link to them, give my idio-precis and comments. Why? Because I care about both of us.
1. ) L.D. Burnett in Chronicle of Higher Education: "Holding On To What Makes Us Human," an Adjunct who writes books about academia; Burnett implores us to defend the Humanities in the face of runaway "transferrable skills" and the cost/benefit reality of universities now. Screw "critical thinking" (although that's valuable, of course): we must find a way of articulating why knowledge of literature/history/philosophy etc is inherently valuable, despite all that's transpired in the epoch of NeoLiberalism. She wants arguments that set aside money and jobs issues. And I say: good luck with that, although I'm with you in spirit, Ms. Burnett.
Her keynote (fair warning: I do not have perfect pitch) seems to be that we must resist perishing, but if we must perish, we should go down resisting. At first I thought she meant "we" adjuncts. Then I realized she seemed a tad more cosmopolitan: we humans. I bet you're on board with her here with me, no?
If I sound like a dick here, I apologize. I'm just as caught up in the morass of being a Knower and struggling to pay the bills as she is, probably more so. I know Adjunct jobs suck ass as far as pay goes (usually), but I don't even get to do that. I'm a freelancer. There's a really heavy downside to that, apart from making your own hours and staying up all night taking notes in your books. Weed helps. It certainly helps.
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2.) Michael Lind, a prolific and fairly heavyweight intellectual who notes he's been "accused" of being a "public intellectual," claims that his own in-group of intellectuals are "freaks." Lind is not doing the Chomsky thing of calling out his fellow intellectuals for facilitating and sucking up to State power. He's merely saying he and his kind: academics, think tank experts, opinion journalists, and downwardly-mobile free-spirited bohemians? They really are "freaks" and out of touch with ordinary values. This last sub-class of Bohemians constitute a group who are living off (largely) inherited bourgeois-begotten capital in order to be revolutionaries, avant-garde writers, or artists.
Lind asserts that "populists" who've always argued intellectuals are out of touch are basically correct. He notes that non-intellectuals are/were wrong about the gold standard, the single tax and "other issues" (I wish he'd have gone into much greater detail here, as I think it's very many other issues, but that's just me), but populists are right: intellectuals are freaks and weirdoes who are out of touch with mainstream values.
Intellectuals live in large cities and their judgment is distorted by their borderlessness (because scholarship is inherently borderless). Proles finish high school and go into manual labor in what's now the "service sector." They work within 18 miles of where their mothers live and depend on family networks for economic support and child care. Intellectuals often defer marriage and children in order to further their career goals, and they move all over the place, as academia is found throughout the continent. Their notions about a borderless world as a moral and political ideal are, says Lind, "stupid and lazy" because there's no world-wide infrastructure to keep a welfare state equitably distributed throughout the world. (I see this as a worthy utopian goal, but Lind keeps mum about this: "stupid and lazy.") Their childlessness and deferred marriages make them "unusually individualistic"...Lind would like to see that studied more and so would I.
Talk about unrestricted immigration feeds nationalist and neo-fascist and right-wing populist political movements, and we're seeing that as I type, in many places. Also, it feeds the well-entrenched meme among the unwashed that the UN is taking over their lives, incipient fears of "lost sovereignty" (a classic divide-and-conquer/misdirection move by the Ruling Class), not to mention the Bilderbergers-bugaboo. (Enough food and clean water for Burundi? Tyranny!)
Here's another major problem with intellectuals: they see the problem of inequality and their solution is...be more like me!: More and better education is the mantra. (As long as Obama has been Prez he's repeated this old workhorse. And I'm embarrassed to admit that on more than one occasion I've yelled at him through the teevee screen, "For what?")
Lind says this idea of more education is natural, but "stupid and lazy." He's a conscience for his own class of freaks! How come "more education" isn't a good idea? Automation and the service sector job market is really all there is. He doesn't mention Adjuncts, and it's easy to conjure reasons why. Janitors with Master's degrees? Sad. He does say unionization might be a good idea for service-sector workers. A restriction of low-wage immigration (I don't see this happening). A higher minimum-wage is mentioned.
I read Lind's short piece three times and I still can't discern the level of wryness in it. If you read the piece he exempts those intellectuals in the "hard sciences." Gee, I wonder why?
A final idea: it's often floated out that one or two years of national service could be a moral and social balancer. Lind says: stupid idea, because the proles already have it hard enough without doing two years of unpaid work. But then he gets off his best riff: But: "it might not hurt" for professional intellectuals to face "a year or two working in a shopping mall, hotel, hospital, or warehouse."
My Wry-o-Meter was sparking and giving off noxious fumes on that last bit. That Michael Lind!
As a general comment on Lind, some dialectical sparks from Alvin Gouldner, who is writing about the history and alienation of intellectuals, first from the Old Regime of inherited landed aristocracy, and then the bourgeoisie, this latter group being at first allied with the intellectuals against the Old Regime and helped by their cultural capital...until the bourgeoisie came into ascendancy. Gouldner refers to both the technical intelligentsia and humanistic intellectuals as The New Class:
The New Class believes its high culture represents the greatest achievement of the human race, the deepest ancient wisdom and the most advanced modern scientific knowledge. It believes that these contribute to the welfare and wealth of the race, and that they should receive correspondingly greater rewards. The New Class believes that the world should be governed by those possessing superior competence, wisdom and science - that is, themselves. The Platonic Complex, the dream of the philosopher king with which Western philosophy begins, is the deepest wish-fulfillment fantasy of the New Class. But they look around and see that the men who employ them do not begin to understand the simplest aspects of their technical specialties, and the politicians who rule them are, in Edmund Wilson's words, "unique in having managed to be corrupt, uncultivated, and incompetent all at once."
-p.65, The Future of Intellectuals and the Rise of the New Class (1979), Alvin Gouldner, PhD
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3.) "Power, Powerlessness, Thinking and Future," by French philosopher Bernard Stiegler, from about 10 months ago. Stiegler notes that intellectuals have been steeped in the analysis of power relations since M. Foucault, but that thinking about this should also highlight powerlessness too, and maybe more now than ever, since intellectuals seem to not understand that techne has accelerated faster than they could conceptualize, and they are now proles themselves. He attacks those intellectuals who claim the term "right wing intellectual" is an impossibility or oxymoron, because, well, Freud, Heidegger, Niklas Luhmann, Maurice Blanchot, and many others. And deeper: there was thinking before the French Revolution and "Left" vs. "Right" and we now need to reconceptualize what it means to think, now that almost all of us are proles.
Stiegler thinks it's unfortunate that the term "intellectual" was ever used as a noun, when it's an adjective. Further, the term activates neurological opposition between "manual workers" and the types Gouldner is talking about, above. And yet throughout the article you notice Stiegler uses "intellectuals" as a term for their class. That's because it's ensconced in culture. And Michael Lind's presuppositions about his own class seem to hold sway, eh?
Here's where it gets interesting for me: Stiegler claims, based on Marx and Engels, that "proletarianism" now effects not only most of us, but all forms of knowledge. Futhermore, it's a "widespread generalization of entropic behavior" since the Anthropocene commenced and we began to time-bind like mad. Proletarianization destructs knowledge: how to live, do and conceptualize. And intellectuals seem oblivious that this is what has happened to them. They are now much closer to Lind's janitors than any sort of Gouldner's Platonic philosopher kings, no doubt.
Stiegler wants to clarify: Marx and Engels thought that proletarians denote not a state of poverty so much as a loss of knowledge...knowledge about how to harness negentropy to conceptualize our way out of this mess. Rather than doing this, they "adopt attitudes and poses." A culture of knowledge construction and new ideas has been run out of town by consumer capitalism, based on "behavioral prescriptions produced by marketing." In the weakest part of his fascinating article, Stiegler uses Alan Greenspan's testimony about why he didn't see the 2008 crash coming. It seems there were a few hundred better examples, but perhaps this one suffices...
So, let's stop with labeling "left"and "right" thinking and replace it with thinking, which he seems to align with negentropy, the notion that, though entropy is The Law, its negative reciprocal is creating novel order and structure amidst chaos. (What Korzybski called "time-binding'.) The acceleration of technology has lapped our social systems of law, education, political organizations and forms of knowledge. We will always be late, it seems. Our only hope is realizing we're all proles now, begin thinking from within casino economies and marketing and short-term R&D "disruptions." We need not become Luddites and reject technology, and Stiegler cites Evgeny Morozov's article (presumably HERE although Stiegler merely claims this "evokes") as a way into a new politics, in which it's essential to re-think "value."
Morozov seems like a start to me, too, but I'd also cite John Dewey's 1920 book Reconstruction in Philosophy as a text that argued the Platonic ideal of the "spectatorial view" of knowledge had it backwards: no intellectual need fool herself into believing that just because she doesn't get her hands dirty that she truly knows, and that those who do things with their hands (mechanics, plumbers, craftspeople of every stripe) don't "know" anything. Workers know quite a lot, and so the fuck what if it's not Hegel or organic chemistry: it's knowledge that produces immediate material results in the sensory/sensual world. Dewey's book disabused me of these notions about the primacy of spectatorial/armchair views of knowledge long ago, and this text seems woefully underrated to me.
Earlier, Marx had expressed a dislike for the opposition of Techne and Logos. Bernard Stiegler reminds us here that, "Knowledge is always constituted by technics, which in so doing always constitutes a social relation." (italics in original)
Also, and more practically, look at contemporaries like Douglas Rushkoff and his marvelous recent book, Throwing Rocks at the Google Bus, and Martin Ford's Rise of the Robots. Here are thinkers who can get us started thinking ourselves...out of our proletarian situation. There are many, many more...
Hiroshima and Nagasaki occurred 71 years ago this past week or so. Soon after that Dark Moment, a very smart individual noted that everything had changed...save for our "way of thinking."
Tueuses graphiques par Bobby Campbell
The Overweening Generalist is largely about people who like to read fat, weighty "difficult" books - or thin, profound ones - and how I/They/We stand in relation to the hyper-acceleration of digital social-media-tized culture. It is not a neo-Luddite attack on digital media; it is an attempt to negotiate with it, and to subtly make claims for the role of generalist intellectual types in the scheme of things.
Overweening Generalist
Showing posts with label eschatology. Show all posts
Showing posts with label eschatology. Show all posts
Saturday, August 13, 2016
Saturday, February 13, 2016
Pound Notes: (Ezra), Paideuma and You
I just finished re-reading 1992's Trialogues at the Edge of the West: Chaos, Creativity and the Resacralization of the World, a collection of far-out-there "trialogues" between the chaos mathematician Ralph Abraham, the late hyperarticulate psychonaut Terence McKenna, and the arch-Heretic of Biology, Rupert Sheldrake. These conversations about eschatology, climate crisis, morphological fields, comparative religion, discarnate entities in world history, wellsprings of creativity, educational reform and metaphors about "light" - among other things - seemed ancient. With the acceleration of information and experienced time, I revisited this book that I'd read soon after it came out. I had forgotten how NeoPlatonist all three thinkers were. One riff that runs pretty much through all these conversations - held at Esalen - was: what do we need to do to re-think what got us into this predicament? And they all seem to agree we need an updated archaic revival: of partnership society (not patriarchy), of getting back into nature and connecting in a deep way with plants and life. We need to find ways to lessen our own toxic egos, dissolve boundaries between each other, and sex is really healthy and good. Psychedelic mushroom use was one thing they all agreed was a potentially powerful way to catalyze all this.
this photo of Pound seems to have originally appeared in the
New York Daily News with the caption: "Jew Hater"
By 1939, Pound had gone over the edge. He'd lost his center, but he didn't know it yet. He had been driven...mad? into paranoid antisemitic conspiracy thought? into deep delusions? It's up to The Reader to decide. Having a great number of artist-friends killed in the 1914-1918 World War...for what? The Poet - who, let's face it: was probably born an extra-ordinary person - decided to investigate the ultimate reason(s) this war happened. And he soon got into economics: money, banks, bankers, usury, and...oy!
Ezra Pound thought pretty much the same things about an "archaic revival" as the three Wiggy Thinkers I mentioned above (except for the drugs, which about which, later, below): In 1939 Pound wrote:
What we really believe is the pre-Christian element which Christianity has not stamped out. The only Christian festivals having any vitality are welded to sun festivals, the spring solstice, the Corpus and St. John's eve, registering the turn of the sun, the crying of "Ligo" in Lithuania, the people rushing down to the sea on Easter morning, the gardens of Adonis carried to Church on the Thursday.
Soon after, Pound wrote:
Paganism included a certain attitude toward; a certain understanding of, coitus, which is the mysterium. The other rites are the festivals of fecundity of the grain and the sun festivals, without revival of which religion can not return to the hearts of the people.
["Ligo" here is not to be confused with the recent news that Einstein's gravitational waves have finally been found by LIGO, the Laser Interferometer Gravitational-Waves Observatory. Pronounced "leegwa," Ligo here is the summer solstice as celebrated in Latvia and Lithuania; it's like their xmas.]
Put blood simple, Mad Ol' Ez was for the sex goddess Aphrodite, and Helios: the sun god. Fucking outdoors in Nature: that's the true religion for those of us in Europe and the West. It gets to the heart of Pound's idea of paideuma, which was the semantic unconscious of a people; the deep tangles of ideas that form a culture and make it unique.
I've been reading A.David Moody's third volume of biography of Pound, Ezra Pound: Poet Vol III, and it's magisterial. I've long regarded Pound's life as the most compelling, dramatic, spellbinding, weird and tragic of all 20th century artists. This bio covers "the tragic years 1939-1972," to Pound's death. Moody confirms some of my ideas about the inexhaustible Ez. It extends almost all of my ideas about the guy who edited The Wasteland. It's the sort of biographical subject-writing that a street intellectual who maybe had only "heard about" Pound might still thrill at reading. It's almost like Pound was "made up" by some other Mad Poet-Genius, in order to compete with a figure like Faust. But Ez wuz real!
Around the time the Trialogues book came out, Ray Muller produced a fantastic documentary film about Hitler's favorite filmmaker, Leni Riefenstahl, called The Wonderful, Horrible Life of Leni Riefenstahl. Pound's life was at least as wonderful and horrible as Riefenstahl's.
The term paideuma was coined by Leo Frobenius, who I wrote about HERE.
In her terrific book on lost writings by Pound, Machine Art and Other Writings, Maria Luisa Ardizzone has a long footnote about Pound and his understanding and use of Frobenius's term which is worth repeating here:
Pound's idea of culture as Paideuma is crucial for understanding his virulent anti-Semitism from the 1930s onward and for his treatment of aesthetics. Frobenius's idea that there is a connection between, for instance, the form of a bed which certain people make and use and the kind of economy (agricultural and sedentary, or nomadic)(see Frobenius, Anthology, 9) is crucial for Pound's idea that an economy of usury will influence art: "form." Pound summarizes this idea in a single assertion, variously reiterated: "The form of objects is due to CAUSE" In Guide to Kulchur, 57, Pound explains the meaning of "Paideuma" as follows: "To escape a word or a set of words loaded up with dead association Frobenius uses the term "Paideuma" for the single or complex of the inrooted ideas of any period." In "For a New Paideuma" he writes, "The term "Paideuma" as used in dozen German volumes has been given the sense of an active element in the era, the complex of ideas which is in a given time germinal, reaching into the next epoch, but conditioning actively all the thought and action of its own time." (Selected Prose, 284; emphasis [Ardizzone's]. I have stressed the importance of the word "complex," which in Pound's work belongs to the idea of a unity that is one and plural. - pp.44-45, note #45, Machine Art
[Quick observation: I agree totally with Ardizzone about Pound's desire to see a paideuma as a unity that is plural. Pound had metaphors for aesthetic growth and movement in culture before World War 1, such as "the vortex." His Imagism was a deliberate attempt to revolutionize Modern Art. Hell, all of his aesthetic manifestoes and books sought Rev. The plurality within a unity metaphor seems isomorphic to Sheldrake's morphogenetic fields, which are invisible fields that carry memories of both themselves and other morphogenetic fields. It's similar to Leibniz's "monads" and Jung's collective unconscious. It also bears a family resemblance to the sociology of "ideologies" which have a public face of claims to rationality, and to being above the fray of power and politics yet are quite likely a special interest. All of these ideas have often been presented as a unity with much plurality "carried" within. Sorry for the digression!- the OG]
So: Pound fell in love with this invention by Frobenius and sought to extend it. But for a "sick" mind such as Pound's what it meant had to do with what got us into WWI: war profiteering, banking crooks, and bad ideas that Pound saw were complexly rooted in an alien paideuma: the Semitic one. It had infected Europe and his United States. He needed to wake us all up to this invisible but deeply rooted menace.
Quick Glance Into Pound's Paranoia: Drugs
I wrote above that Pound was not in line with McKenna, Abraham, and Sheldrake about drugs. And this gives a hint. Moody tells us that Pound said he "knew" since 1927 the Commies were drugging us as a political weapon. Yep: "drugs" - no delineation between mescaline or cannabis or amphetamines, just "drugs" - were being used by Jew-Commies to corrupt and destruct the goys. Get a load of this, Ez in a letter to Olivia Rossetti Agresti, August, 1954, Pound in the loony bin at St. Elizabeth's in DC:
heroin is pushed/ and the negro attendant knows that big chews are back of it...AND the kikes go for the WHOLE of the more sensitive section of the younger generation/ 'all' jazz musicians on marijuana/which 'is not habit forming' and leads to heroin/ and 'Benzadrine is harmless, they give it to aviators'/ so that after carpet bombing they will go on with some drug habit or other. - Moody's vol 3, p.317
[Brief comment: talk to Mezz Mezzrow, a jew-turned black about marijuana among jazz musicians!]
On with it...
Now, because I could go on for another 2000 words but won't, I want to end by floating out this idea: If we look at Frobenius's life: he was proto-fascist, but was one of the first Modern Europeans to raise up Africa as filled with brilliant and genius traditions, or as Frobenius's biographer Janheinz Jahn wrote, Frobenius gave to German people a counter-idea about Africa: an "insignia of nobility: human dignity, culture, art, literature, and history...it helped Africans and Afro-Americans to find a new consciousness of themselves within the African tradition." - from a short bio titled Leo Frobenius: The Demonic Child
Now: inventing the notion of certain geographical areas as living organisms and works of art and ideas seems fine on the surface, but it's an old trap, innit? If WE are one thing, THEY are another. And we may see beauty or value in the OTHER, but reading history for the last 30 years: far too often: THEY are simplified into a threat. "They" become demonized...
And there are other ideas like paideuma floating around out there. I guess the trick is to see the human race as one family (actually, we are: see "Everyone On Earth Is Actually Your Cousin" and note any changes in your consciousness after you've understood it). We're all in this together, the world is getting smaller and smaller, eh?
And THEN let's think about the human collective unconscious, or paideuma, or mazeway, or whatever you want to call it. It's an idea seemingly tailor-made for Generalists. What are your preliminary diagnoses? Where did we get the idea we must always be armed to the teeth? Why do men rule over women? Why must "my" version of the Sky-God have a bigger dick than your Sky-God? What about money? What about ownership of land? Please feel free to add ones that puzzle you.
See what you can make of it before we realize what Pound thought had already happened: he thought we'd made a "botched civilization." How do we use our imaginations to get out of this? Take your time, even though we sorta are pressed, no?...
art: Bobby Campbell
this photo of Pound seems to have originally appeared in the
New York Daily News with the caption: "Jew Hater"
By 1939, Pound had gone over the edge. He'd lost his center, but he didn't know it yet. He had been driven...mad? into paranoid antisemitic conspiracy thought? into deep delusions? It's up to The Reader to decide. Having a great number of artist-friends killed in the 1914-1918 World War...for what? The Poet - who, let's face it: was probably born an extra-ordinary person - decided to investigate the ultimate reason(s) this war happened. And he soon got into economics: money, banks, bankers, usury, and...oy!
Ezra Pound thought pretty much the same things about an "archaic revival" as the three Wiggy Thinkers I mentioned above (except for the drugs, which about which, later, below): In 1939 Pound wrote:
What we really believe is the pre-Christian element which Christianity has not stamped out. The only Christian festivals having any vitality are welded to sun festivals, the spring solstice, the Corpus and St. John's eve, registering the turn of the sun, the crying of "Ligo" in Lithuania, the people rushing down to the sea on Easter morning, the gardens of Adonis carried to Church on the Thursday.
Soon after, Pound wrote:
Paganism included a certain attitude toward; a certain understanding of, coitus, which is the mysterium. The other rites are the festivals of fecundity of the grain and the sun festivals, without revival of which religion can not return to the hearts of the people.
["Ligo" here is not to be confused with the recent news that Einstein's gravitational waves have finally been found by LIGO, the Laser Interferometer Gravitational-Waves Observatory. Pronounced "leegwa," Ligo here is the summer solstice as celebrated in Latvia and Lithuania; it's like their xmas.]
Put blood simple, Mad Ol' Ez was for the sex goddess Aphrodite, and Helios: the sun god. Fucking outdoors in Nature: that's the true religion for those of us in Europe and the West. It gets to the heart of Pound's idea of paideuma, which was the semantic unconscious of a people; the deep tangles of ideas that form a culture and make it unique.
I've been reading A.David Moody's third volume of biography of Pound, Ezra Pound: Poet Vol III, and it's magisterial. I've long regarded Pound's life as the most compelling, dramatic, spellbinding, weird and tragic of all 20th century artists. This bio covers "the tragic years 1939-1972," to Pound's death. Moody confirms some of my ideas about the inexhaustible Ez. It extends almost all of my ideas about the guy who edited The Wasteland. It's the sort of biographical subject-writing that a street intellectual who maybe had only "heard about" Pound might still thrill at reading. It's almost like Pound was "made up" by some other Mad Poet-Genius, in order to compete with a figure like Faust. But Ez wuz real!
Around the time the Trialogues book came out, Ray Muller produced a fantastic documentary film about Hitler's favorite filmmaker, Leni Riefenstahl, called The Wonderful, Horrible Life of Leni Riefenstahl. Pound's life was at least as wonderful and horrible as Riefenstahl's.
The term paideuma was coined by Leo Frobenius, who I wrote about HERE.
In her terrific book on lost writings by Pound, Machine Art and Other Writings, Maria Luisa Ardizzone has a long footnote about Pound and his understanding and use of Frobenius's term which is worth repeating here:
Pound's idea of culture as Paideuma is crucial for understanding his virulent anti-Semitism from the 1930s onward and for his treatment of aesthetics. Frobenius's idea that there is a connection between, for instance, the form of a bed which certain people make and use and the kind of economy (agricultural and sedentary, or nomadic)(see Frobenius, Anthology, 9) is crucial for Pound's idea that an economy of usury will influence art: "form." Pound summarizes this idea in a single assertion, variously reiterated: "The form of objects is due to CAUSE" In Guide to Kulchur, 57, Pound explains the meaning of "Paideuma" as follows: "To escape a word or a set of words loaded up with dead association Frobenius uses the term "Paideuma" for the single or complex of the inrooted ideas of any period." In "For a New Paideuma" he writes, "The term "Paideuma" as used in dozen German volumes has been given the sense of an active element in the era, the complex of ideas which is in a given time germinal, reaching into the next epoch, but conditioning actively all the thought and action of its own time." (Selected Prose, 284; emphasis [Ardizzone's]. I have stressed the importance of the word "complex," which in Pound's work belongs to the idea of a unity that is one and plural. - pp.44-45, note #45, Machine Art
[Quick observation: I agree totally with Ardizzone about Pound's desire to see a paideuma as a unity that is plural. Pound had metaphors for aesthetic growth and movement in culture before World War 1, such as "the vortex." His Imagism was a deliberate attempt to revolutionize Modern Art. Hell, all of his aesthetic manifestoes and books sought Rev. The plurality within a unity metaphor seems isomorphic to Sheldrake's morphogenetic fields, which are invisible fields that carry memories of both themselves and other morphogenetic fields. It's similar to Leibniz's "monads" and Jung's collective unconscious. It also bears a family resemblance to the sociology of "ideologies" which have a public face of claims to rationality, and to being above the fray of power and politics yet are quite likely a special interest. All of these ideas have often been presented as a unity with much plurality "carried" within. Sorry for the digression!- the OG]
So: Pound fell in love with this invention by Frobenius and sought to extend it. But for a "sick" mind such as Pound's what it meant had to do with what got us into WWI: war profiteering, banking crooks, and bad ideas that Pound saw were complexly rooted in an alien paideuma: the Semitic one. It had infected Europe and his United States. He needed to wake us all up to this invisible but deeply rooted menace.
Quick Glance Into Pound's Paranoia: Drugs
I wrote above that Pound was not in line with McKenna, Abraham, and Sheldrake about drugs. And this gives a hint. Moody tells us that Pound said he "knew" since 1927 the Commies were drugging us as a political weapon. Yep: "drugs" - no delineation between mescaline or cannabis or amphetamines, just "drugs" - were being used by Jew-Commies to corrupt and destruct the goys. Get a load of this, Ez in a letter to Olivia Rossetti Agresti, August, 1954, Pound in the loony bin at St. Elizabeth's in DC:
heroin is pushed/ and the negro attendant knows that big chews are back of it...AND the kikes go for the WHOLE of the more sensitive section of the younger generation/ 'all' jazz musicians on marijuana/which 'is not habit forming' and leads to heroin/ and 'Benzadrine is harmless, they give it to aviators'/ so that after carpet bombing they will go on with some drug habit or other. - Moody's vol 3, p.317
[Brief comment: talk to Mezz Mezzrow, a jew-turned black about marijuana among jazz musicians!]
On with it...
Now, because I could go on for another 2000 words but won't, I want to end by floating out this idea: If we look at Frobenius's life: he was proto-fascist, but was one of the first Modern Europeans to raise up Africa as filled with brilliant and genius traditions, or as Frobenius's biographer Janheinz Jahn wrote, Frobenius gave to German people a counter-idea about Africa: an "insignia of nobility: human dignity, culture, art, literature, and history...it helped Africans and Afro-Americans to find a new consciousness of themselves within the African tradition." - from a short bio titled Leo Frobenius: The Demonic Child
Now: inventing the notion of certain geographical areas as living organisms and works of art and ideas seems fine on the surface, but it's an old trap, innit? If WE are one thing, THEY are another. And we may see beauty or value in the OTHER, but reading history for the last 30 years: far too often: THEY are simplified into a threat. "They" become demonized...
And there are other ideas like paideuma floating around out there. I guess the trick is to see the human race as one family (actually, we are: see "Everyone On Earth Is Actually Your Cousin" and note any changes in your consciousness after you've understood it). We're all in this together, the world is getting smaller and smaller, eh?
And THEN let's think about the human collective unconscious, or paideuma, or mazeway, or whatever you want to call it. It's an idea seemingly tailor-made for Generalists. What are your preliminary diagnoses? Where did we get the idea we must always be armed to the teeth? Why do men rule over women? Why must "my" version of the Sky-God have a bigger dick than your Sky-God? What about money? What about ownership of land? Please feel free to add ones that puzzle you.
See what you can make of it before we realize what Pound thought had already happened: he thought we'd made a "botched civilization." How do we use our imaginations to get out of this? Take your time, even though we sorta are pressed, no?...
art: Bobby Campbell
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