Overweening Generalist

Showing posts with label alternative histories. Show all posts
Showing posts with label alternative histories. Show all posts

Monday, February 9, 2015

Robert Anton Wilson: Missing Books

I've just finished reading Patton Oswalt's book Silver Screen Fiend:Learning About Life From An Addiction To Film (2015) and it was of course very hilarious and entertaining: it's Patton Freaking Oswalt. But I had had no idea he'd haunted the New Beverly Cinema as I had. LA's greatest revival house for film, it had and has a cult following of film freaks and the book is dedicated to Sherman Torgan, who ran the place while Oswalt saw gawd only knows: probably 400 films there over a four year period, 1995-1999. The Appendix (pp.189-222) lists all the films, so I guess I could count but I'm too lazy... Yea: Patton Oswalt saw hundreds of films in movie theaters in those four years, he lists them all: date/film(s)/venue, and it's a lot like my own lists, only his manic phase of crashing the canons of film seemed deeper and more intense than mine. Torgan's programming easily convinced me he knew what films were worth seeing. I knew that if the New Bev was showing it it was probably worth seeing, it didn't matter if I hadn't heard of the film, or if it was from a genre I don't strongly gravitate toward (musicals and gorefest, anything with Doris Day in it). There's a hilarious chapter where he details the unhinged drive to see 12 Hammer Horror films in two days, and eventually, from sleep deprivation and insane film gluttony, the Hammer films begin to run together in his mind with other classic Hollywood films he'd seen recently...he's having a bad hallucination trip while awake, hilariously described, like something out of Alexander Trocchi, while in the theatre supposedly watching another film. A fellow film weirdo asks him if he's okay. Yea. (Noooo.)

I think I started driving from San Pedro up the Harbor Freeway (to the 10) to that predominately orthodox Jewish neighborhood of LA (near the corner of La Brea and Beverly Blvd) around 1996. I drove that stretch a lot. From one corner of the metropolis to another. I think I was aware of Oswalt as a stand-up comedian, and I may have seen him there, but I saw a lot of familiar screen faces there. I remember one night I took a seat in the dark moments before a double feature of Jeunet et Caro: Delicatessen (one of my all-time favorite films), and City of Lost Children. When the delicatessen owner asks "Have I got something right here?" the crowd erupts in laughter (as it should: one of the great anarchic comic moments in cinema history), and I look over at a guy cracking up and note I'm sitting next to Doogie Howser's, best-friend Max Casella.

I remember dragging my wife to see a John Frankenheimer double feature, because Seconds was the second film. Seconds totally slays me. Always. It was a Friday night - date night, when young, well-educated hipsters invaded the New Bev, usually to see the first film, then leave for - their actual lives. They all saw the admittedly great and famous 1962 Manchurian Candidate then left, despite my leaning into the aisle and telling twentysomething strangers filing out: "If you thought that was good, wait till you see Seconds," and no one would even make eye contact with the Scary Old Guy.

                                       a bit from Seconds (1966): Rock Hudson rocks!

Anyway...After Sherman Torgan's death (and Quentin Tarantino publicly standing up for film freaks all over LA by saying "As long as I draw breath, the New Beverly will remain open"), Oswalt attends a "sloppy, spontaneously organized 'wake'" inside the not-too-far-away Egyptian Theatre. (Everyone agreed it wouldn't be right to do it inside the New Bev). Oswalt tells the anecdote about the night Lawrence Tierney walked into the middle of Citizen Kane and sat behind Oswalt and started talking out loud to the screen for about 15 minutes before his handler finds him and ushers him out. Tierney had never seen the film, but the stuff he says, like the best DVD commentary ever - as remembered by Oswalt, coupled with what we know about Tierney's history and that voice - a shimmering anecdote in a book filled with them. (see pp.94-98) (I wonder how many RAWphiles that know of Tierney and his work think of him as a classic 2nd Circuit type as I do.)

After the wake, Oswalt programmed an entire month of fantastic, non-existent films for the New Beverly in Heaven, just for Sherman. Oswalt writes that he got the idea from Neil Gaiman's storyline in  The Sandman books, of "Brief Lives," where there's a "dream library" of books that famous authors never got around to writing, like Raymond Chandler's Love Can Be Murder, or Lewis Carroll's Alice's Adventures on the Moon. I for one would drop everything going on in my life to go see every one of these dream films, which includes Orson Welles's 1942 Heart of Darkness and Orson's 1944 Batman: Riddle of the Ghoul, starring Gary Cooper as Bruce Wayne/Batman. "And leave it to Welles to populate his movie with six of Batman's cast of villains: Lee Marvin as Two-Face, Edward G. Robinson as the Penguin, Ella Raines as Catwoman, Dwight Frye as the Riddler, Everett Sloane as the Scarecrow and, towering imperiously over the whole mad feast, Welles himself as Ra's al Ghul. The Richard Widmark cameo, at the end, as the newly scarred Joker, leaping toward the screen from the smoking ruins of the chemical plant, still makes people scream. The costumes that longtime fans wear to midnight showings only add to the chiaroscuro carnival." (p.174) I see the great RKO noir Director of Photography, Nicholas Musuraca, doing the lights and camera here, with Orson, of course.

Oh yea: how perfect is this?: In some alternate universe/Torgan's Heaven that Hal Ashby directed A Confederacy of Dunces? John Belushi played Ignatius in a miraculous performance without ever having read John Kennedy Toole's novel. With Richard Pryor and Lily Tomlin. Oswalt goes on with this, an invention of 29 films. Hey! I just noticed the blogpost that forms this chapter of "dream films" is HERE! (<----In the blog there, you only get the names of the nonexistent films; you have to get hold of Oswalt's book to read the synopses.)
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Reading this bit from Patton Oswalt's film addiction book reminded me of the Books Missing From Robert Anton Wilson's Oeuvre. Many of us have discussed what RAW's Tale of the Tribe would have been, but he died before he could write it. We got a precis, tantalizing to the utmost, at the end of TSOG: The Thing That Ate The Constitution, pp.203-213. If we could pool the no-doubt thousands of pages of notes from RAWphiles on what RAW was hinting at, we might be able to cobble something together. But it wouldn't be RAW.

Now please bear with me: I've gotten hold of some...well...let''s just say I've gotten lucky and was able to obtain a hot underground tryptamine drug made by the Disciples Of Shulgin (DOS). Psychonauts have been reporting that at the half gram dosage level, they've had very pleasant glimpses of other possible worlds, but only those worlds the person had been daydreaming or thinking about in their ordinary, non-stoned lives. I took some after thinking of RAW's books and, for whatever it's worth, here's what I've come back with:

The Shea Correspondence Course: Letters Between Robert Anton Wilson and Robert Shea (2017): RAW finally collected the vast trove of letters received from his friend Robert Shea, and via excessive volunteer wrangling by RAWphiles, found well over 40 long type-written letters he'd sent to Shea. All of the letters from both men had been dispersed, scattered among numerous friends and collectors of literary ephemera. Interviewed by NPR about the 423 page tome, RAW says from his home in Capitola that he was surprised how much he'd forgotten about how Illuminatus! eventually coalesced, but was grateful such a large number of the letters had shown up after an Internet call-to-arms from his fanatic readers. NPR seemed most interested in the fervor of glee among the cultish readers of Wilson over the publication, long awaited and thought at one time impossible. Why the word "course" in the title, NPR asks? Wilson said his friend Robert Shea was the sort of person whose anarchic intelligence always made him think, and re-reading their letters before publication he realized how much he'd learned. Shea died in 1994. Reviewed at BoingBoing: "I've never seen a correspondence that was so funny and at the same time brimming with endless ideas. Even when they seem to have a simmering feud over some idea or another, you can always tell they loved each other."

Hollywood Notes (2012?): The long-awaited chronicles of RAW's first-hand experiences seeing his books Masks of the Illuminati, The Walls Came Tumbling Down, and the midnight movie Reality Is What You Can Get Away With made into films and the sausage-factory behind the scenes. RAW agrees with Raymond Chandler, Nathanael West and F. Scott Fitzgerald: if they want to pay you for the rights, best to just take the money and leave Hollywood. But RAW's too interested in the machinations of filmmaking and while he has grave problems with the liberties directors, editors and script "doctors" took with his material, he seems pleased by the results, all in all. My favorite part of the book is RAW's anecdotes about the film community party scenes in the hills above Hollywood.

Heretic: How Timothy Leary Foresaw the "New Teleology"(2025): This short tome is a surprise hit with academics who had been trying to forge the "New Synthesis" sometimes called the "New Teleology," since the rise in prominence of Sheldrake, epigenetics, CRISPR techniques that helped to rapidly cure most diseases and food shortages. Other texts had emphasized the rapid falling out of favor of "selfish gene" ideas as the main motors of evolution. RAW traces the history of self-organizing life to cosmic panspermia notions and the long list of scientific "heretics" who emphasized latent "systems" inherent in the human nervous system. This book argues that Leary's ideas about the brain and evolution were far ahead of his time (Leary died in 1996), that Neo-Darwinism was always a big chunk of the puzzle, but that scientific visionaries - once marginalized as "crackpots" or "mystics" such as Bruno, Reich, Lamarck, Sheldrake and Leary - are now seen, retrospectively, as victims of a sort of mass hubris and "Mind-Forged Manacles" of working prole scientists/old paradigm adherents (RAW loves to quote the poet Blake). It was said that the philosopher Thomas Nagel was a fan of this book, but this can not be substantiated at the moment you're reading this. At 225 pages and good humor, this one's on many a college syllabus and wins RAW a National Book Award for Non-Fiction.

New Age Sewage (2016): RAW seems to be channeling George Carlin here in his non-fiction satire on anti-vaxxers, Randroids, supply-siders (these last two not New Age per se, merely bad ideas), New Earthers, "race-ists," orthorexics, those fearful of taboo words, and fundamentalists of all sorts. Perhaps surprisingly, the book receives very good reviews from those Skeptics that RAW lampooned in many works. RAW at his most polemical, this book is at least the equal in tone and logical vigor as The New Inquisition and Natural Law.

Life Plus 3000 (2030): RAW's immortality book, which in the Preface he says he'd radically revised at minimum 32 times because of the "Jumping Jesus Phenomenon." A very old version had a working title Death Shall Have No Dominion. I found it most impressive that RAW doesn't gloat here: he'd been writing about longevity and immortality since the 1970s and was scoffed at by New York intellectuals. When the worm began to turn most decisively around 2023 he decided to wrap it up. Now he's been proven "correct" for the most part, but rather than name his fairly "wrong" (and mostly forgotten) detractors, he seems more in awe of Nature than ever.

Collected Writings on Joyce (2014): Joyce scholar Fritz Senn was the impetus behind this. He thought young European readers needed an introduction to Joyce by an intellectual non-academic Joycean. I had no idea RAW had written this much, in such detail, on Joyce. Lovers of RAW's book Coincidance will want to graduate to this text, many of the ideas of which were once too "far out" but have now made it inside mainstream Joyce scholarship.

Robert Anton Wilson's Book of Black Magic and Curses (2007): A rollicking book of humor about domesticated primate hypnosis and words, psychoneuroimmunology, the omnipresence of metaphor, a vindication of Vico and Korzybski, and "How To Tell Your Friends From the Other Apes." One reviewer blurbs on the back cover: "A linguistics book sui generis if I ever saw one. Highly recommended." RAW scholars can now see what Playboy's Book of Forbidden Words was supposed to be, before the editors took out all the most interesting parts. Or, as RAW put it, "The editors at Playboy Press, like most editors, want to pee in the soup before they let go of someone else's work."

Bride of Illuminatus! (2019) Long-awaited. Carries his (and Shea's) saga of certain families and ideas through the Age of Surveillance. The plotlines developed with Edward Snowden vs. Dick Cheney (under disguised names, for this is one long True Shaggy Dog Story) makes this Trip worth reading over and over.

Babylon L-5 (2021) One of the best of the sixty-some-odd books preparing humanity for space colonization. Said to have cheered Elon Musk, who, after reading it, redoubled his efforts to get LaGrange point communities going for industrial production in zero-gravity, followed by his (and others') move to make Project Exurb a reality. Meanwhile, space travel impact on human physiological systems are being solved almost weekly. RAW keeps up on this stuff.

Untitled Epic Poem on Evolution: So far: no publisher. He's said to still be working on it, although over 100 chapters exist in the version that passed through my hands. Seemingly influenced by both Pound's Cantos and Joyce's Finnegans Wake as well as the wildest, most outre ideas about baby universes, brane theory, black holes, and self-organizing Taoist cybernetic feedback loops within loops, the loose-leaf copy I had was over 1700 pages of "holographic poetry" and seemed to fuse in equal measure hardcore-scientific, poetic and mystical ideas. The work functions as an encyclopedia of history and hard science, while reading as poetry. One strain of poetic rumination, about a divine feminine and repressed aspect of history, coupled with - believe it or not - the history of economics (!) makes a bracing case for universal liberation and "true freedom" for all "sentient beings" and a freedom from fear, want, and State and other Gangster coercion, based on communication, humor and massive cybernetic feedback loops of information so dense...well, I just want you all to be able to get hold of a copy some day, as this is a true Terran Archive and "Blueprint For Humanity" (<-----the name of one of the poems.) There were references and allusions enough to support the argument that this might truly constitute RAW's Tale of the Tribe. Difficult and psychedelic. Readers new to Wilson are advised to study his works from 1959-2005 first. Another helpful idea, until the work is finished and published: RAW includes an annotated bibliography that in itself was over 200 pages and quite cosmically hilarious, I thought.

That's all I can remember until I take that particular tryptamine again. If any of you have similar access and find something out about RAW's nonexistent-in-this-world oeuvre, please report back here in the comments!

                                           graphic art by Bob Campbell

Friday, November 25, 2011

More Disseminations on Paideuma

[Previous impervious periphrastic maunderings in the mire of paideuma can be found HERE and HERE, not that you'd asked. - the OG]

The Berkeley Anthropology Dept never wrote me back on the pronunciation; if the Reader thinks s/he has an authoritative source, please go ahead and chime in the comment below...

For generalists, some geeks, and many weirdo thinkers of other stripe, it seems inevitable that we will come to "see" and then ponder quizzically about some What-If notions at the root (i.e, radical) of Things: What if we weren't hung up on sex as some taboo-like Entity? What if, as I wrote about recently, we never accepted that Land could be owned by anyone? What if, instead of alcohol, sugar, caffeine and TV as our main drugs (I know I'm sounding awfully ethnocentric here, but play along?), we had no prohibitions on drugs, but our main ones were cannabis, ceremonial use of psilocybin/DMT/LSD and meditation? What if a main focus in all education for children was a constant, year-after-year study of how language and all media work in our own nervous systems, our interpersonal relationships, and society? What if our banking system was decentralized and we held fast to Aristotle's basic idea about money and economics: that trading one thing for another via the medium of money is economics, but the making of money out of money with no other goods involved in a transaction was considered debased and almost vile "Art" of chrematistics?, id est, speculation and usury? What if, after WWII, the North American countries worked hand-in-hand with the Europeans in a massive project of constant innovation into solar energy?

Pick any one of those scenarios (and any other ones you can think of) and...go ahead: just try and imagine how different our world would be.

But it's not any of those worlds. We look at what's at the end of our fork, right? It's a naked lunch. What are we gonna do about it?

                            The prolific Rushkoff, here in an old photo with Mad Ol' Uncle Timothy Leary

Douglas Rushkoff as (one of) the New (Non) Prophet(s)
Douglas Rushkoff has written one of the more important works of our time, and when it came out I read it and chatted it up to anyone that would would listen, but I couldn't find anyone who'd read it or seemed genuinely interested. It's called Life, Inc: How the World Became a Corporation and How to Take it Back. Interestingly, now I've seen it referred to as the "bible of the Occupy movement" in more than one place.   Corporations have so thoroughly colonized our modern consciousness that we probably have only the slightest idea the extent. The corporation has become deeply internalized and almost invisible in some ways. If you "ain't got the time" to read a book like this, just read pp.xxiii-xxv. (Rushkoff's book has been released in a 2nd edition with a different subtitle.)

Automation and Its Discontents
When I discussed Philippe Van Parijs's idea of a Universal Basic Income (UBI) in other posts on Missing Public Discussions (and this is one that remains "missing"), one of the reasons I did so was because of my lifelong fascination with the radical implications of technology on culture, and in particular for our purposes here, automation. The idea of automation, if we go back and read books from the late 1940s through the 1970s (maybe later), was usually, "How wonderful! Automation will free us from drudgery! We will have more free time to do what our creative imaginations guide us to do! Many more of us will be able to self-actualize!" Etc.

Well, yes, we now have automation like a runaway train, and yet the Ruling Class doesn't care: the given Machine, invented by the collected creativities, intelligences, and energies of perhaps a few million people, put 73,000 people out of work? Well, go get Another Job! I own this Machine! I make the rules! What are ya, one dem commies?

And we/they did. Get another job. And again. And some of us, again. And the jobs left the country due to Neo-Liberal "free trade" agreements, just like (sorry, but I have to say this 'cuz it's true) Nikolai Lenin said would happen as capitalism progressed. "It must always be need in search of new markets." Yep, including labor markets.

But what does it mean to have a job nowadays? Almost everyone will think you're insane if you ask them this question. Or the ones that don't think you're insane will give some wry line about a Dog's Life, or something along the lines of Megadeth's "If there's a new way/I'll be the first in line/But it better work this time." ("Peace Sells...But Who's Buying?") But I'm serious: Is life about having a job? How is a job different than working? What does the Protestant Work Ethic and the spirit of capitalism mean in times like this? Were we sold a bill of defective goods when we read about the marvels of automation as a kid? (Kinda like most of the people around me thought NAFTA was just great when they heard the political language from the TV?)

The "work ethic," I will assert but not argue, no longer "works." Oh, feel free to take issue with me, cite some special cases and counterfactuals. But I still say: it's now bunk. The thing is: what to do? What is value? What is today's "make-work"? How long can this last? What happens when a new Epoch seems to tap you on the shoulder and say, "Sorry we got here a bit early...the traffic was great!"?

Wittgenstein Got This Stuff, Too
"The aspects of things that are most important for us are hidden because of their simplicity and familiarity. (One is unable to notice something - because it is always before one's eyes.) The real foundations of his inquiry do not strike a man at all. Unless that fact has at some time struck him. ---And this means: we fail to be struck by what, once seen, is most striking and most powerful."
-Philosophical Investigations, 3rd ed., fragment #129 in Part 1, translated by G.E.M. Anscombe (What is up with the $45 price tag at Amazon? Go to a used bookstore, and I bet you can get it for under $8. Or better yet, be the first person in the last nine years to check it out from your local public library? I include the Amazon links mostly due to the extra info on book and author, and reviews that diverge from my POV.)

Now, some sticklers may say the OG has gone on parole with "paideuma;" if so I confess that to the best of my knowledge the definitions - whether Frobenius's "soul of a culture" or Pound's "tangle of complex inrooted ideas of the time" (I paraphrase from memory, not seeking at this time to re-read my previous warblings from August) or something like a rhizome that runs like ivy up and down the walls of any given culture in place and time...nonetheless, you get the Idea?